Word: maids
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Dates: during 1990-1999
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...with this production is that half the cast has not picked up on the sense of mirth that overrides the bitterness. It as if we were not watching a comedy at all. Lady Windemere and her suitor Lord Darlington play their unhappiness straight as if she were a trapped maid and he her sentimental savior. The two have such a hard time with Wilde's snappy dialogue that their love affair of miscues is in mortal danger of never getting off the ground...
...only survivor of the incident, a teenage maid who was shot four times, later testified against the gang members but then went into hiding, Dorsainvil says...
Francine Torres, on the other hand, perfectly plays the maid Dorine as a cross between Roseanne and Carol Burnett. Her lengthy scene with Orgon (the always amazing Thomas Derrah), in which she tries to stop him from forcing his daughter Marianne (Jessalyn Gilsig) to marry Tartuffe (Alvin Epstein), is riotous. She can make vacuuming funny...
...Barbara Matteau, the sisters' madness seemed disturbing, but the audience's immediate connection to it--the sense that this violence could exist inside one's own home, beneath the surface of bourgeois contentment--was lacking; people who have never had a servant can't really shudder when a maid cries "You'll see what a servant girl is--I'll strangle...
...feels like to be mad. From the beginning, Genet encloses us in the hermetic mental world shared by Solange (Lois Folstein) and Claire (Mary Rutkowski), the sisters who are employed in the house of an unnamed "Madame" (Barbara Matteau). The play opens with what seems to be a maid's insurrection against Madame, as Solange inexplicably drops her servile tone and begins to abuse her mistress. Their bizarre, frequently incomprehensible exchange, in which erotic and violent impulses are mingled, is broken off suddenly by the sound of an alarm clock--the real Madame is about to come home...