Word: mailers
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SOKOLOV ATTRIBUTES to Liebling the pioneering work in the foggy area between fiction and journalism which Truman Capote and Norman Mailer later explored. Liebling's greatness lay in his absorption of the entire story--in both senses--behind people and events, from Seventh-Avenue con men to Sugar Ray Robinson. He embraced his subjects' lives and their outlook on the world; searched out their motivations and methods and then laid forth their lives, mostly in their own words--but through his own wild periscope of the self-style uptown revel, the reluctant Jew, the recipient of all that his immigrant...
...There is a refrigerator and a coffee pot and a table that wobbles and two people who don't--American Gothic, 1980--and all of a sudden here's this Great Gay Peaco k, a thermonuclear presence, strutting and preening and threatening everyone in sigh. He is what Norman Mailer called the "White Negro," the hipster: the man who sleeps with death, and seduces...
...GOLDMAN AND DEMME didn't make him a hero. They don't try to graft any Hero of the American West symbolism onto this resolutely unheroic man; Dummar is no Gilmore, and Goldman is no Mailer. Melvin never gets a cent because the courts rule his will invalid. He faces his defeat with a curious--yet by this time predictable--ambivalence. Melvin says and actually seems to believe that he never had anything, so he's not losing anything. Despite all the lousy hands he has been dealt, Melvin enjoys his life and doesn't see any reason to change...
Though not one to stand on ceremony, Author Norman Mailer, 57, is planning three: a marriage, a divorce and a marriage, in unceremoniously quick succession. The self-described "champion of obscenity, wise father of six [now eight] children and husband of four battling sweet wives" was recently granted his long-contested divorce from sweet wife No. 4, Beverly Bentley, 50. Now he intends to marry Jazz Singer Carol Stevens, 50, with whom he lived from 1969 to 1974, then divorce her and wed former Model Morris Church, 31, his live-in companion of the past five years...
...said, solely to perpetuate art criticism. Without criticism, the art was nothing. Except ugly. Wolfe did have a point, but he stretched it to ludicrous proportions to prove himself correct. He crossed over the line to mockery, and the result was more Mencken (bad Mencken, that is) than Mailer (good Mailer...