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Dates: during 1920-1929
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...Story. On the shores of Lake Undega in New York State is Berkenmeer. Its Main Street has a gaudy haberdashery shop, but there are also ancient elm trees that once sheltered a tougher tribe of Yankees. Arthur Gordon, a descendant, is the grand vizier of Berkenmeer. With an air of detached gentility, he saw to it that "the hay was got in from the golf links before a thunder shower, dances were run off with no deficit, horses were not frightened "by steamrollers. . . ." An ebullient Rotary had begun to suspect him of not being a big enough booster. But such...

Author: /time Magazine | Title: FICTION: Parachute | 2/27/1928 | See Source »

...Significance. This novel has long needed a writer. In Ramon Guthrie it found one of more than ordinary skill. His aviators are grease-smeared, swaggering, circus-like performers-and not papier-mache heroes. Also he does for Berkenmeer what Main Street did for Gopher Prairie. One needs both hands and most of one's toes to count the significant characters in Parachute. As the spokesman for the author, the shrewdly-mad Sayles makes the following deduction...

Author: /time Magazine | Title: FICTION: Parachute | 2/27/1928 | See Source »

...University of California has recently honored Josiah Royce Hon, '11, former Harvard professor. The main auditorium and class room building now under construction at that university is to be named Josiah Royce Hall...

Author: NO WRITER ATTRIBUTED | Title: UNIVERSITY OF CALIFORNIA HONORS HARVARD PROFESSOR | 2/25/1928 | See Source »

This time Paul von Hindenburg sent to Wilhelm Marx a letter virtually demanding that the Chancellor's party (Catholic Centrists) compose its differences over the so-called "school bill" with the People's Party, potent faction of Foreign Minister Gustav Stresemann. These two parties?Catholic, Popular?comprise the main support of the coalition cabinet. They are quarreling over legislation designed to abolish Catholic instruction in the public schools...

Author: /time Magazine | Title: GERMANY: Hindenburg's Quill | 2/20/1928 | See Source »

Abram Poole's portrait of Katharine Cornell was hung near the top of the main stairway, so that nearly everyone looked at it once when they came in and a second time when they went out. The first scrutiny was the more satisfactory. Artist Poole had put the actress against a dark background, wrapped her in a black cape, painted her hands brown, thin and nervous. Her face looked out from all this gloom with the terror of a child's half-dream in the dark. Nonetheless, the characterization was too taut and theatrical...

Author: /time Magazine | Title: Art: On View | 2/20/1928 | See Source »

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