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Dates: during 1950-1959
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Usage:

...bulging lines. Soon a string of limousines pulled up. Out stepped the President of the U.S., the Vice President, Commerce Secretary Lewis Strauss, Under Secretary of State Douglas Dillon, U.N. Ambassador Henry Cabot Lodge and a retinue of other officials. Waiting to greet them at the Coliseum's main door was a barrel-stout man with iron-grey, curly hair and a broad smile: Frol Romanovich Kozlov, 50, First Deputy Premier of the U.S.S.R.. the Kremlin's No. 2 man. sent by Nikita Khrushchev to officiate at the opening of Russia's flashy exhibition of science...

Author: /time Magazine | Title: DIPLOMACY: Kremlin Man | 7/13/1959 | See Source »

...Main problem facing the restorers was to find a substitute for the outer dome (the ornately decorated inner dome will remain in place). Their final answer was enough to make a sultan shudder: it is not gilt, or even silver wash, but a lightweight, gold-anodized aluminum shell (cost: $364,000). Too modern, cried some citizens; too ignoble, said others. "It will look like an ad for an orange drink." snapped one traditionalist. The builders pressed on with their work, hoping to have it finished this fall. Historians pointed out that the Caliph of Damascus had melted down...

Author: /time Magazine | Title: Art: Dome for the Rock | 7/13/1959 | See Source »

...main task of the museums, if they are multi-purpose, is to offer the same type of general art, scientific and cultural education that the Museum of Modern Art gives to its many loyal members. (This last Museum, incidentally, especially impresses Dr. Prakash.) If the museums are "art-museums," on the other hand, a general policy of Indian-antiquities-for-the-Indians is followed, with the many excavation sites of India additionally becoming regional museums in time. Western art, on the other hand, is difficult to collect due to the (a) lack of encouragement which the ruling English gave...

Author: By Michael C. D. macdonald, | Title: Summer Art: Prakash, Pearlman, Wertheim, Warburg, Kahn; Museum Director, Four Major Collections Visit Harvard | 7/9/1959 | See Source »

...equally random method of installation accorded the exhibition. The installation of three sculptures in one case, one on top of the other, has never been the dream of the artgoer, and the use of different levels is handled poorly--without any strong accents on the bottom level of the main gallery, the collection is allowed to dribble off to nowhere. I'll add one good note about the exhibition's installation: two incredibly large and mildly good Van Goyens have been sent over to the Fogg where they are suitably scaled in size and gloom to the second floor gallery...

Author: By Michael C. D. macdonald, | Title: Summer Art: Prakash, Pearlman, Wertheim, Warburg, Kahn; Museum Director, Four Major Collections Visit Harvard | 7/9/1959 | See Source »

Prize Catch. Like maharajahs eager for a tiger hunt, the big dealers and collectors came flocking to the humid, glass-roofed main salesroom of London's famed Sotheby's (pronounced Sutherbees) auction house. Prize catch of the lot was clearly Peter Paul Rubens' Adoration of the Magi. A 10 ft. 9¼ in. by 8 ft. panel painted by Rubens at the peak of his powers in 1634 for Louvain's Convent of the Dames Blanches, it is considered by dealers not only the best Rubens in Britain but the most important old master...

Author: /time Magazine | Title: Art: Adoration of the £ | 7/6/1959 | See Source »

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