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Word: main (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...student and prospective American citizen, I am naturally very much interested in the destiny of the United States as a nation. This country happens to be the leader of the free world and the main proponent of democratic ideology. It faces the greatest task in its entire history: to contain the forces of Communism and to remain at the pinnacle of world power; yet, it receives only superficial and passive support from a great number of its citizens...

Author: /time Magazine | Title: Letters, Dec. 7, 1959 | 12/7/1959 | See Source »

...trial, J.J. threw in the towel, settled for a tax-free $250,000-a relative pittance that seemed little more than the price of sparing Vincent's executors the nuisance value of J.J.'s action. J.J. will be paid off by the Vincent Astor Foundation, whose main purpose is to improve the lot of the human race, especially poor folks...

Author: /time Magazine | Title: People, Dec. 7, 1959 | 12/7/1959 | See Source »

...runs it, Leslie Cheek Jr., 51. Since taking over eleven years ago, Yale-trained Director Cheek has doubled his museum space, added a theater for nightly concerts, lectures, classic old movies, and local repertory-company performances. He organized an art loan program to Virginia's main towns, built the world's first "artmobile" (an air-conditioned trailer truck that houses a miniature exhibition on wheels) to bring art to the hinterlands...

Author: /time Magazine | Title: Art: Cheek's Changes | 12/7/1959 | See Source »

...With her main course of lobster Newburgh (frozen) she served asparagus tips in Hollandaise sauce (frozen), quick rice with mushrooms (canned) and hot rolls (heat and serve...

Author: /time Magazine | Title: MODERN LIVING: Just Heat & Serve | 12/7/1959 | See Source »

Perhaps the main flaw in the film is the direction, the joint venture of Lev Kulijanov and Yakov Siegel. Although it is supposed to be a continuous story, the movie emerges as a series of different episodes--each one ending with a fade-out that lingers too long on a symbol. This effort at realistic symbolism fails because it is not consistent throughout the film. As soon as the viewer realizes that there will only be a symbol before every fade-out the imagery becomes obvious and uninteresting. The direction lacks subtlety and the camera work is fairly pedestrian...

Author: By Alice E. Kinzler, | Title: The House I Live In | 12/7/1959 | See Source »

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