Word: main
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Dates: during 1960-1969
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...Their main objective in writing to Rusk, the spokesman said, was to "pinpoint the areas of discussion," and "carry the dialogue one step further...
...year in washing, cleaning, repairing and repainting bills to the budget of a family with two or three children in New York City, according to a study made by Irving Michelson, a consultant in environmental health and safety. Because of fly ash and soot from smokestacks, the main façade of Manhattan's New York Hilton was so badly discolored that it had to be replaced last year, only 31 years after the hotel was completed. Ozone, a principal component of photochemical smog, discolors and disintegrates clothing and causes rubber to become brittle and crack...
...from giants like General Electric and Westinghouse down to minor manufacturers of shower curtains and shish kebabers, had set up exhibits and were prepared to write orders from buyers converging from all parts of the country. Then, late at night, fire suddenly broke out in a booth in the main exhibition hall. Within 15 minutes, McCormick Place was an inferno; because of the intensity of the fire and its rapid spread in all directions, investigators suspected that defective electrical wiring was the cause. Eight hours later, one watchman was dead and one of the world's great exhibition halls...
Scenarist Paul Dehn, who also wrote the script for Spy, this time too often jumps the main track of the tale to lollygag along a branch line, and Director Sidney Lumet (The Group) has either miscast or misdirected some of his principals. Mason and Signoret, however, are pathetically impressive as a couple of mice wandering in a maze designed for rats. And as a whole, the film convincingly elucidates in a modern instance why Dante consigned traitors to the very pit of hell. Le Carre similarly perceives treason as a spiritual attitude underlying the political act. His traitors are liars...
...Loves of a Blonde,he dissociates himself from the more adulated Slavs. There is none of their relentless virtuosity-none of Wajda's beautiful but monotonously static compositions, none of the bludgeoning Polanski's Wellesian low angels and shock cuts, none of the coy mysteriousness common to Shop on Main Street and Joseph Kilian. Forman is more Western in temperament, a humanist in the Renoir-Truffaut-Olmi line of descent...