Word: main
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Cabinet. His appointment now is designed to still criticism of the government's heavy-handed manipulation of the courts, though the assignment is liable to bring him into conflict with a Gaullist minister who is staying put: Raymond Marcellin, Minister of the Interior and the government's main law-and-order...
...telephone interview less than two hours after police cleared University Hall, President Pusey said that one of his main reasons for authorizing the police action was the demonstrate that new repressive laws were not needed to deal with events such as those at Harvard. "We must keep order on our own campuses," he said, and went on to state that, if colleges failed to do so, other bodies, such as the Congress, would take on the task. Later, in his testimony before the Green subcommittee, Pusey engaged in what was perhaps a bit of verbal over-kill, saying that colleges...
...with a winner. His Much Ado About Nothing is quite something--both for the ear and the eye. Bernard Shaw referred to the work as "Much Adoodle-do" and branded it "a shocking bad play." That's going too far. But it is a minor work. Its borrowed main plot is preposterous and flawed; and Shakespeare was pretty careless now and then (twice he even calls for Leonato's wife Innogen to come on stage, though she neither speaks nor is ever spoken to or about...
...several scenes, the main French characters are a foot taller than usual owing to the use of stilted boots. And they wear modified hockey outfits complete with shinguards--in a properly Gallic blue, be it said. I suppose all this is to emphasize the enormous odds facing the outnumbered British. When conversing with the British, the French speak English with a French accent. When the French talk among themselves, however, Kahn has provided them with a French translation of Shakespeare's text. While they spout French, a man and woman at the downstage extremities simultaneously speak the English version into...
...whole, the quality of elocution in this production is better than what the Festival has usually offered in the past. The main burden falls of course on the title role, taken here by Len Cariou, a newcomer to the Festival. Given the concept Kahn has foisted on him, he acquits himself surprisingly well. He is obviously a well-trained classical actor, and his performance at times suggests a young Alec Guinness. The Festival has made a lucky catch...