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Dates: during 1990-1999
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Usage:

...there is Robert Kelly, who plays Victor, the writer caught between the two women. Of course, true to our preconceptions of amoral Hollywood, the actresses are trying their best to use their feminine wiles to make him rewrite the script, so that one or the other will be the main star. Meanwhile, he has to defend the artistic integrity of his screenplay, as the producer is demanding drastic scene cuts...

Author: NO WRITER ATTRIBUTED | Title: Making Movies Is a Dog's Life In New BCA Production | 3/7/1996 | See Source »

...meet, which for many teams is the main event of the season, has tough qualifying standards, and thus getting there is an achievement in itself...

Author: NO WRITER ATTRIBUTED | Title: W. Track Breaks Record at ECACs | 3/5/1996 | See Source »

DAYTON, Ohio: Workers at two General Motors brake plants have gone on strike, threatening production at other GM plants. After failing to reach agreement during all night talks, about 3,000 workers walked out of the two plants Tuesday morning. The main issue in dispute is the production of parts by outside plants or companies. Union officials say GM's proposed 'outsourcing' of production could affect 125 jobs. Two years ago, workers at the two plants staged a three-day strike, shutting down five GM assembly plants. GM spokesman Tom Klipstine said that the strike would have no effect...

Author: /time Magazine | Title: GM Strike Could Slow Production | 3/5/1996 | See Source »

...TROUBLE WITH THE SOLOmon R. Guggenheim Museum's much awaited show at its main venue in Manhattan, "Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline," is that its subject is far too big. The task that curator Mark Rosenthal has taken on is roughly comparable to doing an anthology of, say, European and American fiction since 1910 in 300 printed pages. However much you might wish it could be done, it can't. The field is too vast. You end up with a sample here, a masterpiece there, an overschematic story and an infinity of regrets about the omission...

Author: /time Magazine | Title: ART: GOLDEN OLDIES | 3/4/1996 | See Source »

...Moore show, a series that was a lot more acute about the elusive glamour of TV news. But Up Close and Personal is The Way We Were Hollywood version. Long before its ending (or rather, the endings--there must be six or seven of them, all superfluous to the main plot), the film has become a rosy yet pale dreamscape of real workaday life. It's like the Windsong commercial on the nightly news, between the Bosnia coverage and the story about the beauty queen who found...

Author: /time Magazine | Title: CINEMA: HAIR TODAY, STAR TOMORROW | 3/4/1996 | See Source »

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