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...when Bethlehem was a town in a sleepy province of the Ottoman Empire, a local man built a magnificent house on the main road from Jerusalem to Hebron. Made from the region's limestone-whose shades, from pale honey to dazzling white, give the Holy Land its distinctive palette-the house was built around courtyards and fountains in the Ottoman style; frescoes and mosaics graced its walls and ceilings. In the 1930s, the man's family went bankrupt. The house was later used as a prison by the British, when they governed Palestine under a League of Nations mandate...
...extent of damage done by the Telekom affair can be felt in the emotional responses. Hans-Olaf Henkel, a retired IBM executive and former president of Germany's main business lobby, said what happened at Telekom was "reprehensible and disgusting," comparing it to the "methods of the East German Stasi" secret police. "This is not capitalism," he said. "It's not my understanding of the market economy." If a captain of industry condemns Deutsche Telekom with such vigor, the judgment of the average German is not likely to be any more forgiving...
...surface, cap and trade and other anti-climate change policies look like short-term economic losers that will raise the cost of energy and lead to job loss. Certainly that's the argument of many conservatives - a study by the National Association of Manufacturers estimated that one of the main carbon cap-and-trade proposals before Congress would cost the U.S. economy up to 4 million jobs...
...years Sistani and Muqtada al-Sadr have seesawed with each other as Iraq's two main Shi'ite power players. In the early days of the occupation, Sistani's call for calm undoubtedly allowed American troops to avoid fierce resistance to their presence in southern Iraq. But Sistani's repeated appeals for peace lost their weight as sectarian violence rose in Iraq, with Sadr leading the Mahdi Army militia in an inexorable year-long quest for Shi'ite revenge following the bombing of a revered shrine in Samarra in early 2006. As a result, Sadr, a mere cleric, towered...
...kind of chorus. Interlaced throughout the script are comments about the creative process which director David Radok has Havel himself voice as the actors freeze on stage. The effect is odd, at first but, in the end adds a fitting layer of ironic detachment. Characteristically, Havel's main stage direction during the play is to tell his actors not to overact. On opening night, in the final scene, after the cast exits back stage on a elevator-like device rising skyward, leaving the theater hauntingly still and dark, Havel's gravelly voice boomed out over loudspeakers. "I thank the actors...