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That night, I was treated to a stunning performance by the soon-to-be-definitive Yo-Yo Ma. I found myself engulfed by his confidence, capabilities and professionalism. His handling of Shostakovich's composition was stupendous, to say the least, and I left the concert feeling completely invigorated. For that, I shall ask you to extend to him my congratulations and thanks. It appeared at the time that Yo-Yo Ma's performance was doubly impressive, first for this excellent solo and, second, because of his abilities in rising above the handicap of Mr. Neal Stulberg's horrid performance...

Author: NO WRITER ATTRIBUTED | Title: NOTRE DAME CATHEDRAL | 11/12/1975 | See Source »

...Bach Society Orchestra met that test in its first concert of the season giving Yo-Yo Ma '76 the backing he deserved during a performance of the first cello concerto by Shostakovich. Under the baton of Neal Stulberg '76, this year's conductor, the potentially fragmented composition jelled into a continuous musical statement. The orchestra nimbly bridged the dangerous gaps between the cello passages and those sections played by the group; instead of pouncing on its entrances and destroying the soft, quiet effect produced by Ma in the second movement, the orchestra picked up where he left off and matched...

Author: By Audrey H. Ingber, | Title: Divine Harmonies | 10/28/1975 | See Source »

...Chandler's; he has an ear for terse, unequivocal dialogue, and an equally sharp cynicism that cuts through the moral flab of his characters. But when his material is as worn-out as it is here, Higgins sounds more like Dragnet's Joe Friday, insisting monotonously, "Just the facts, ma...

Author: By Seth Kaplan, | Title: Friends Like These | 10/17/1975 | See Source »

Before he left on his historic journey to the U.S., Emperor Hirohito last week received TIME Bureau Chief William Stewart for an interview. The scene: the pink-carpeted Shakkyo-no-ma ("Stone-bridge") room in the Imperial Palace, which the Emperor uses as an audience chamber. His main points...

Author: /time Magazine | Title: The World: Hirohito: 'A Happy Experience' | 10/6/1975 | See Source »

...offer. There is the sense that Wertmuller herself almost revels in the punishment Gennarino deals out; certainly the sequences of Raffaella's subjugation are among the most strident and unpleasant in recent mem ory. It is discomfiting, especially in a movie made by a woman, to see the ma jor female character turned into such an abject creature. The fact that Actors Melato and Giannini, who starred together as well in Love and Anarchy and The Seduction of Mimi, are so wonderfully skillful only tips the movie's emotional imbalance further. They bring an awk ward poignancy...

Author: /time Magazine | Title: Cinema: Island Idyl | 10/6/1975 | See Source »

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