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...more hard-core sorts are the two Buswell-Carlin violin and piano recitals at Kirkland House. The music department's Lowell Lindgren has arranged a String Festival of Marlborough-caliber musicians. Other programs in the series will have cellists Madeline Foley and Yo-Yo Ma, violinist Annie Kavafian, and violist Marcus Thompson...

Author: NO WRITER ATTRIBUTED | Title: Classics | 4/19/1973 | See Source »

...thinks pro track is a natural attraction despite failures by previous promoters. "Other than soccer," he says, "track is the best-attended sport in the world. It's great to identify with. That's why Bob Richards lasted a million years. Ma and Pa don't want their kids to identify with Joe Namath. They prefer Jim Ryun." Perhaps. If O'Hara is right, Ryun and company may eventually give Broadway Joe a race in the run for the money...

Author: /time Magazine | Title: Sport: Run for the Money | 3/26/1973 | See Source »

...eclectic final work. Karel Husa's "Music for Prague 1968." Husa, winner of the 1969 Pulitzer Prize for Music, borrows whoel motifs from both Bartok and Holst, but draws most heavily on an old Czech song which Smetana, the fervently nationalistic 19th century Czech composer, dramatized in his massive Ma Vlast. Clear playing brought out the wide-ranging passions which inspired the work, both the mournful and the chauvinistic...

Author: By Richard Shepro, | Title: Czechs and Streams | 3/24/1973 | See Source »

BRATTLE THEATER. Ma Nuit Chez Maud, 6, 9:30, La Collectionneuse, 7:50, wknd...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 2/22/1973 | See Source »

...Ma Nuit Chez Maud. The third and best of Eric Rohmer's moral tales verbalizes much of the Catholic philosophizing that is implicit in La Collectionneuse, Claire's Knee and Chloe in the Afternoon. Jean-Louis Trintagnant's performance is good but overshadowed by Francoise Fabian, the provocative divorced doctor who tempts...

Author: NO WRITER ATTRIBUTED | Title: the screen | 2/22/1973 | See Source »

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