Word: maining
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Dates: during 1930-1939
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Having found their Hitler, Knight Deatherage ("Judaism and Communism are synonymous") proposed to Captain Campbell that they go abort organization, contact "leaders of main groups throughout the nation"-Father Coughlin, Kansas' anti-Semite Gerald Winrod, John Frey of the A. F. of L.'s Metal Trades Department, the American Legion's Americanism Commission Director Homer Chaillaux,* Louis John Taber, master of the National Grange, Walter Garrison of the Associated Farmers of California-"in all, men who are heads of large groups on our side of the fence." George Deatherage's meeting to bring these leaders together...
...schoolteacherish questions and answers ("What is the essence of this attitude? The essence of this attitude is. . . .") Stalin has lectured Young Communists, delegates of the Third International, Stakhanovites, collective farmers, shock troopers, school children. But this is his first speech to the 1,143 people who make up the main governmental body of the Soviet Union...
Zooming mysteriously from under a table in the main salon, the bird cooed ceiling-ward into the porch amid hysteric screams from several waitresses and roars of glee from the students. Apparently frightened by the cries of the napkin-bedecked eaters, the creature flapped helplessly about the ceiling...
...Every poet, I think, ought to be something of a local poet," Coffin says, and thus he expresses the conviction that knowledge of one's subject, contact with it through personal experience, is the main guarantee of poetic inspiration. And as a local poet, he can assume, in his own words, that he is a "representative of the people." There is more than merely a simple exposition of peculiar traits indigenous to Maine in his poems. He who would classify Coffin as a provincialist, limited in scope to the portrayal of a single group of individuals, might as well judge...
Attempts to treat the diversity of contemporary arts had been made before at the Bauhaus in Germany, but they were fancy business in America in 1929. No zealot, Director Barr concentrated on paintings, the main interest of such trustees as Samuel A. Lewisohn and Stephen C. Clark, and bided his time. He got a secretary and five small exhibition rooms in a Fifth Avenue office building. The trustees met for the first time in October, armed with pledges for $200,000. In November the Museum of Modern Art opened its doors with an exhibition of Lillie Bliss's fine...