Word: mainstream
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Dates: during 1960-1969
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...point of fact almost all of today's music issues from the rigorous serialism of Anton Webern, with Bartok and Berg the universally ignored alternatives standing squarely in the mainstream of music...
...Democrats. The old parties, in turn, would have to clarify their identities to compete with the new challenges. The left and the right would be represented for the first time and would find a more meaningful middle ground than that which the Democrats and Republicans have decided is the mainstream...
Gorey: Humphrey has a leadership problem too. He knows that if he wins, he will be a minority President. And that might make it difficult for him to lead the country, to get the alienated into right as the well as the disaffected left back into the mainstream. The men are different, their responses are different. Humphrey might burst into tears at hearing Russia was moving, into, say Rumania. But he'd recover, and quickly confront a cold political situation. Nixon would tackle it as a cold political situation from the beginning. There is a legitimate argument...
...divisions that rend the U.S., there is at least one point of agreement between blacks and whites, Democrats and Republicans, young and old. It is that Negroes are not really part of the mainstream of American enterprise, and that they should be brought into it through the classic means: ownership of business. Richard Nixon has called for a mixture of Government loans, tax incentives, private business aid and Negro self-help to create "black capitalism." Hubert Humphrey, urging all of that but with greater emphasis on Government aid, has stumped for "black entrepreneurship." He declares that the Negro...
...JAZZ CRUSADERS, LIGHTHOUSE '68 (Pacific Jazz). Pride of The Lighthouse in Hermosa Beach, Calif., the Crusaders have plenty to say in this album and plenty of "chops" (technique) to say it with. Their musical message lies in today's mainstream -a blend of hard-rock rhythms, funky chords and uptempo bustling. Wayne Henderson is on trombone, Wilton Felder on tenor sax; the rhythm section includes Joe Sample's piano. They punch out Ooga-Boo-Ga-Loo, move briskly on the winning Native Dancer and the fleeting Impressions. Their Eleanor Rigby is unusually muscular but, oddly enough, moves...