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...spine / And made me feel so blind”), the retro yet contemporary feel is more than engaging enough. “The Jimmy Choos” also straddles the line between pop past and present, channeling the sunny beach sound and lyrical levity of the Beach Boys. More mainstream than the aforementioned gems, the song adeptly combines all the electronic glitz of modern pop tracks with dated but appropriate melodic riffs from Drummey and company. Standout tracks like “C’mon (On My Own)” and breakout single “She Loves...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Chester French | 4/24/2009 | See Source »

...began in the late 70s as Plastic Passions, playing a mix of music that included reggae and new wave, though its focus soon shifted to indie rock. In the early 90s, as bands like Nirvana and record labels like Matador garnered mainstream attention for college rock, RH, which had been loosely linked to the local Boston scene in the past, began to emphasize...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...alternative shows that can be a really positive thing,” she says. “I think the majority of people just want to create, want to get something out there, want to have an alternative form of expression that’s not mediated by the mainstream...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...psychology of memory and narrative. Since McCafferty’s debut “Sloppy Firsts,” the Jessica Darling Series has never been firmly in one genre or directly targeted at a clear audience. The first few books straddled the boundary between young adult and mainstream fiction, and as the protagonist and authorial risks have matured, McCafferty has positioned herself between “chick-lit” and more literary-minded fiction. On appearances and plot summary alone, “Perfect Fifths” seems to fall squarely within the realm of the former...

Author: By Chelsea L. Shover, CRIMSON STAFF WRITER | Title: 'Perfect Fifths' Picture Perfect | 4/24/2009 | See Source »

...second contingent is the more dedicated music connoisseur—well trained in navigating the backroads of Pandora and avoiding Kiss FM and iTunes’s top 100. Harvard party music is banal and grating to their ears, and they prefer underground creativity to mainstream chart success. Their most likely criticism of a Yardfest artist: “Other people have heard of them...

Author: By James A. Mcfadden and Garrett G.D. Nelson | Title: Point/Counterpoint: Striking the Right Note | 4/16/2009 | See Source »

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