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Word: mainstreaming (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...mainstream comic studios, the poaching of auteurs serves two purposes: a technique to lure readers with a more independent sensibility, such as cynical college students, to characters they “outgrew” and as a look at the creators’ reaction to access to classic characters. These creators are more willing to challenge the dominant clichés of knock-down drag-out fist-fights that characterize much of mainstream comics. As might be expected from a work featuring such a diverse array of creators, the strength and tone of the stories vary widely...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Comics Review: Bizarro World | 2/18/2005 | See Source »

...Kids to Work Day” to the subversive romantic sympathizing with the dating travails of Deadman, a ghost that can briefly possess the living to the media satire of “The Red Bee Returns,” an attempt by a long-dormant hero to receive mainstream attention. No matter what your graphic novel baggage, the trip to Bizarro World is worth the ride...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Comics Review: Bizarro World | 2/18/2005 | See Source »

...possible I’m just being cynical but I have no other way to explain how little I care about the outcome of last week’s Grammy awards. Nonetheless, I shall bash. This year’s Grammys simply hardened my opinion that the mainstream critical and commercial machinations are perfectly content with a steady stream of tributes to elder generations and a short list of inoffensive “approved” artists that sound like they’re from an elder generation. Ray Charles! The Pepsi guy, before he died this past summer, dropped...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/18/2005 | See Source »

...possible I’m just being cynical but I have no other way to explain how little I care about the outcome of last week’s Grammy awards. Nonetheless, I shall bash. This year’s Grammys simply hardened my opinion that the mainstream critical and commercial machinations are perfectly content with a steady stream of tributes to elder generations and a short list of inoffensive “approved” artists that sound like they’re from an elder generation. Ray Charles! The Pepsi guy, before he died this past summer, dropped...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/17/2005 | See Source »

...camp” arguments; this isn’t exactly “so bad it’s good” though it’s something close. I’m suggesting that this song is the best example of how the mainstream music industry machinery no longer makes songs, or records, or even music, but rather commercial media entities. This kind of synergy may be bad or good depending on your take, but it’s undeniable. Bubble-gum pop has always been around to sell itself, but “Toxic” takes that...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/17/2005 | See Source »

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