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Some of the TV shows were dull, slow and halting; but technicians and performers learned at least three valuable lessons: 1) that TV programs, like any other good show, must be blueprinted and paced off in advance; 2) that lighting and make-up are a long way from perfection; 3) that the camera, like any other good reporter, must hustle to get a story...

Author: /time Magazine | Title: Television: Goldfish Bowl | 7/5/1948 | See Source »

Governor Dwight Green of Illinois was having a case of actor's nerve. Aware that the Republican Convention would be televised, the silver-haired keynoter tiptoed into a television studio and tried on some faces. He tried eyebrow pencils, lipsticks and Pancake Make-up (neither Max Factor 23 nor Max Factor 29 was quite right, but Max Factor 28, a nice healthy brown, looked wonderful on the handsome governor). Thinking it all over, he settled for a fast barbershop...

Author: /time Magazine | Title: People: Quiet, Please | 6/21/1948 | See Source »

...heroine are Good; villain and assistant villain (brain & brawn) are Evil. Love finds its strongest expression in a frank, manly smile. Sex never, never rears its snuggly head. (One serial director recalls that when Carole Landis first reared her chest in serials, it was sternly taped flat by the make-up department...

Author: /time Magazine | Title: Cinema: Cliff-Hangers | 5/31/1948 | See Source »

...Scudda Hay! (20th Century-Fox) would undoubtedly make a big hit with mules; presumably they already know what the title means (gee & haw in mulese). The leading roles in this movie are played by two of the most gorgeous, henna hay-burners that ever plodded out of a studio make-up salon. The picture may also appeal to some children; it tells how a horde of anti-mule, glue-factory-minded grownups are foiled by a pro-mule boy (Lon McCallister) and his girl (June Haver). Adult people and horses may resent the film's hee-hawed refrain: that...

Author: /time Magazine | Title: The New Pictures, Apr. 26, 1948 | 4/26/1948 | See Source »

Meanwhile, Matthews has allotted space to each department and chosen illustrations (news photographs, cartoons, historical pictures) in conference with Picture & Make-Up Editor Robert Boyd. When the stories are checked they are ready for the teletypesetters. Machines in TIME'S New York office wire the copy simultaneously to the Chicago, Philadelphia and Los Angeles printing plants. Boyd and his assistants in New York paste up proofs on huge sheets, tell editors, late on Monday night, where lines must be added or killed to make pages...

Author: /time Magazine | Title: The Story Of An Experiment: Circles toward Monday | 3/8/1948 | See Source »

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