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Word: make-up (lookup in dictionary) (lookup stats)
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Nobody tells Lewis what to write about. His columns run totally unedited. He telephones in his copy at 5 or 6 p.m. the night before to the make-up man, who reads the piece and checks for transcription mistakes...

Author: By James L. Cott, | Title: At Home On the Left | 1/5/1981 | See Source »

Frank Hodsoll, the team's other executive director, said the group will recommend ideas for the structure and personnel make-up of the new White House, including relations with Congress, the press and public, scheduling, and the location, budget and size of staff departments. It will also, he said, oversee the physical White House transition with the Carter administration...

Author: By James G. Hershberg, | Title: K-School Scholar Aiding Reagan Team To Investigate White House Transition | 12/12/1980 | See Source »

...seen little by little, first in silhouette, then behind a screen, later in a quick, startling flash. When the camera finally focuses on the young man's face in full light and close-up, the shot does not provoke laughter or a horrified gasp. Of course, the remarkable make-up by Wally Schneiderman helps greatly...

Author: By Jacob V. Lamar, | Title: Affecting Monster | 10/22/1980 | See Source »

John Hurt as Merrick surmounts a monumental challenge. Merrick's mangled and contorted body allows the actor few gestures. Buried under pounds of make-up, Hurt is denied the use of the movie actor's most valuable tool: his face. He can barely nod and shake his head: His drooping mouth hardly moves when he talks: The only way he can express emotion with his face is by blinking. Thus Hurt must make maximum use of his extraordinary voice, giving the performance of a unique theatricality. Hurt's quivering questions, agonized screams, trembling thank-yous, and choked compliments define...

Author: By Jacob V. Lamar, | Title: Affecting Monster | 10/22/1980 | See Source »

...albums. Bowie has let his personal obsessions re-enter his music, and he's now better equipped to animate them. Those obsessions appear with a clarity here that far exceeds any of Bowie's past work, obsessions with violence, with anger, with decay and with death--not with drag, make-up or the trappings of the facile entertainer. With thoughts like those, and with music like this, Bowie fashions a decadence that tears and scratches at a decadent world...

Author: By Scott A. Rosenberg, | Title: Messing With Major Tom | 10/8/1980 | See Source »

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