Word: make
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Dates: during 1950-1959
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...Bernstein put such distinguished nonprofessionals on his program? "Christmas family spirit," said Lenny. Each man had the background to make the party a serious success. Manager Moseley studied piano under famed Teacher Olga Samaroff, was a fellow student of Leonard Bernstein at Tanglewood in 1941. Later, Moseley spent five years (1950-55) as director of the School of Music at the University of Oklahoma. Sugar Baron Keiser, Harvard '27, won a Juilliard scholarship after graduation, studied piano under Ernest Hutcheson before he took over the family business (Cuban-American Sugar Co.). Keiser still gives concerts near his home...
Instead of cylinders and pistons, the Wankel engine has a single combustion chamber shaped like a fat-waisted figure eight (see diagram). Inside, it is a three-cornered rotor with curved sides. A shaft passes through the rotor and makes it move on an eccentric orbit by means of two gears. All three corners of the triangle stay in contact with the wall of the chamber at all times. To make the contacts gaslight, each corner is tipped with an inset metal strip that, as the drive shaft revolves, is pushed tight against the cavity's inner walls...
...both an M.D. and a D.D.S., notes that operating costs run to $43,000 a month. Unless dental cowards-and professionally conservative dentists-fill some of the hospital's cavities soon, the pioneering venture will have to be abandoned. Only the stockholders cannot lose: the building would make a quick hit as a specialized medical hospital, e.g., for ear-nose-throat cases...
...Motorola President Robert Calvin afraid of losing the U.S. lead in electronics. "The foreign competitor who has finally found out how to make a TV set will no longer find a market here, because we've already found out how-to hang one on a wall," says Galvin, whose sales are $260 million, best ever. Another sign that quality can be sold: Paris' George V Hotel stocks a claret that bears the label, "Beaulieu Vineyard, Napa Valley, Calif...
Joyce the Baboon. It is ironic that, for the most part, Miller remembers to be an artist instead of an orator only in the wacky, obscene, and sometimes brilliantly comic passages that make most of his books unmailable-but that will not be found here. Reading Miller in his scurrilous top form is like ending a riotously drunken evening by getting a foot caught in a chamber pot; but such sport cannot be had in this book...