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...talk, entitled “Giving Back: Finding the Best Way to Make a Difference,” is going to address some of the most complicated and pressing issues facing our modern world. He will discuss the importance of charity work, which has taken a larger role in his life since he decided to start working full-time for the Bill & Melinda Gates Foundation...

Author: By Sophie T. Bearman, CONTRIBUTING WRITER | Title: Dropout to Speak at Harvard | 4/6/2010 | See Source »

...Those who live in glass houses shouldn’t throw stones” is this: “If you live in a glass house, don’t be chucking stuff about.” It’s not that he just says things that make no sense—there’s an atom of plausibility to the inanity, which implicates the listener in every ridiculous convolution of his thought process. On average, any sentence out of Karl’s mouth is more amusing than the cumulative value of most twenty-two minute sitcoms...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: 'Ricky Gervais' Brings the Funny | 4/6/2010 | See Source »

...Karl Pilkington has a cult following of Jonestownian proportions, which he has wisely parlayed into three book deals and a multitude of hosting gigs. He, Gervais, and Merchant were even awarded the Guinness World Record for the most downloaded podcast in 2006. But this tremendous popularity has yet to make its way across the Atlantic...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: 'Ricky Gervais' Brings the Funny | 4/6/2010 | See Source »

After the overwhelming—and overwhelmingly deserved—success of “The Office” and “Extras,” both co-created with Merchant, I can’t imagine Gervais is looking to make a quick buck. He believes in “The Ricky Gervais Show,” because he believes that the world needs to meet Karl Pilkington and probe his brain. And it does—my own fanaticism stops just short of distributing religious tracts honoring Karl in the Times Square subway station. If a spoonful...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: 'Ricky Gervais' Brings the Funny | 4/6/2010 | See Source »

...recognition, Everett explains, was the musician’s innovation and influence in the jazz style of Bebop in the late 1940s, his musicianship with the flute as well as the tenor and alto saxophone, and his love for the music he creates. In addition, Moody is able to make his music accessible, while never abandoning his personal style...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: OFA Honors Moody's Jazz | 4/6/2010 | See Source »

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