Word: maker
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Dates: during 1960-1969
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GRAZIE ZIA is a flashy first film by young (25) Italian Film Maker Salyatore Samperi. His theme is moral and spiritual decadence, and his style is already accomplished, but the film is too repetitious and vague to be entirely satisfying...
Facts are no substitute for reality. No matter how skilled, the photographer never reaches the revelations of the great painter-and the documentary-film maker never touches the plane of pure fiction. In his first feature film, The Song and the Silence, director-writer-photographer Nathan Cohen tries to re-create the world of Polish Jewry just before the Nazi holocaust of 1939. To summon up the past, he meticulously compiles scene after scene of scholars poring over the Talmud, women dancing the hora, rabbis lecturing-and finally, Germans plundering. At almost every turn, Cohen, a television news cameraman, betrays...
GRAZIE ZIA is a flashy first film by young (25) Italian Film Maker Salvatore Samperi. His theme is moral and spiritual decadence and his style is already accomplished, but the film is too repetitious and vague to be entirely satisfying...
...least three-quarters of the market. Among other throwaways, Johnson & Johnson's Chux is a distant second. Playtex and Borden Co. have similar products. Scott Paper is testing its "babyScotts," a two-part assembly consisting of a permanent outer panty into which fits a disposable diaper. Kimberly-Clark, maker of Kleenex, is test-marketing Kimbies, which differ from Pampers and Chux in that they have adhesive tabs that do away with the need for safety pins. Officers of Kimberly-Clark estimate that the total diaper market is now $1 billion a year, and they predict that disposables will eventually...
...characters. Raymond Durgnat (I think) points out that Bunuel's preoccupation with fetishist love differs little from, say, Max Ophuls' preoccupation with sentimental romance--that all forms of love are pure, and identical in the eyes of whatever strange God Bunuel worships. Belle de Jour is a film-maker's film, uncompromisingly unclinical, its often shocking material bathed in the warm yellow-brown glow conveyed by sensuous moving shots...