Word: maker
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Dates: during 1980-1989
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Following a little bit of sleep and the exams some team members had to take yesterday, the Crimson booters made their way onto the field to fight Yale as well as the mistakes of the schedule maker. But neither could end the Crimson's season on a sour note...
...have Carter promise one himself. Thus did parody news operate day by day and become news of its own. Having long wearied of reporting a candidate's "set speech," many journalists wrote insider stories of how strategists were positioning their candidates. If the image maker gauged his "perceptions" correctly, the press found itself adapting those images, helpfully pointing out some new sample of Reagan's extremism, or Carter's meanspiritedness. Pirandello would have found himself lost in these corridors...
...last week in the local high school's auditorium. Allowed to vote as a result of a hard-fought union-management agreement, 900 Stevens employees unanimously approved the first collective-bargaining contract between the Amalgamated Clothing and Textile Workers Union and the nation's No. 2 textile maker, which has led labor's enemies list for nearly two decades. Stevens workers in three other cities ratified similar contracts...
...channels of programming, will some day be part of the home entertainment center for families across the U.S. Cable firms are thus jockeying into position in expectation of the fierce battle that will determine which company will dominate the field. Westinghouse, the second largest U.S. electrical-equipment maker and a top non-network broadcaster, took a giant step in that direction last week by announcing its intention to acquire Teleprompter Corp., the U.S.'s leading operator of cable TV, for $646 million. In addition to its cable franchises, Teleprompter also owns 50% of Showtime, a pay-TV entertainment network...
...Godard female has often been a prostitute. She expresses his vision of every man-woman relationship, and serves as a metaphor for the personal film maker in a tawdry art-industry. But Isabelle, in Every Man, exists simply to endure: to suffer the indignities of venal clients, and to survive with her mystery intact. She is a modern, unsentimental version of the silent-screen innocent who is noble not because of what she does but because of what men do to her. She is touched - indeed, pawed and probed - but never moved. And that is her revenge on the male...