Word: makes
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Dates: during 1960-1969
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...three ran impressively at McCurdy's pre-season camp, and their improvement over last season should make them an even match for the Huskies' tow best performers. Mike Scanlon and Larry Joseph...
...South jail. Hanson, yearning for some legendary whorehouse and dominated unto middle-age by his Daddy, decides to accompany them to New Orleans. But camped out one night they are set upon by Mississippi rednecks and Hanson is bludgeoned to death. Billy and Wyatt proceed on to Mardi Gras, make a sentimental trip to the whorehouse, and drop acid with their hookers. But this is, as they say, unsatisfying; they leave New Orleans for some unknown destination. In the film's best sequence, a pick-up truck overtakes them on a Louisiana highway, and some lout, hoping merely to scare...
...schema. There are good guys, like Captain America, drooled over in infatuated close-ups, and bad guys, the vahoos of the South and over-thirty America in general. The good guys are warding off the yahoos (a young commune member prays to God "Thank you for a place to make a stand.") Billy and Wyatt die because they are free, like all good guys. (Hanson says: "They're scared of what you represent to them-freedom...
...what the film says at all. The good guys are portrayed as sensitive loner types: they know grass isn't addictive: they're nice to girls: they wouldn't hurt anybody. The bad guys are resentful barbarians, who pick on the good guys for no reason and make stupid jokes ("They look like a bunch of refugees from a gorilla love-in.") Easy Rider's tacked-on message, built to remit all intellectual sins, reminds one in its ludicrousness of Hollywood's concept of the "anti-war" film. Inevitably these films will conclude with a ringing condemnation...
From the motorcycle subculture movies Hopper has brought rock music, but instead of The Ventures he has given us known songs by top rock artists. Attempting no structural integration between sound and image, his musical allusions are literary: Hoyt Axton's "The Pusher" after they make their connection. Steppenwolf's "Born to Be Wild" as they hit the road on their bikes. Billy and Wyatt travel through these pulsating songs the way they do the countryside-the Band, the Byrds, Dylan, Jimi Hendrix et al are employed as a musical landscape, part of the backdrop of the youth subculture...