Word: makes
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Dates: during 1960-1969
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Actor McKellen burns in that fire -thin, lips taut, gleaming with royalty and nerve. He has the mighty breath for the Marlowe line. He has the control to make the relentless rhythms a hammer of pulse. His Edward jumps and flickers, a petulant youth who grows in viciousness yet retains sympathy, who dies stripped to a rag and a whimper yet retains tragedy. It is a performance, paired with his Richard, that marks McKellen at 28 as an actor of potential greatness. Like most fine British players, he has been thoroughly schooled in a variety of roles, ranging from Shaw...
...invention. Scorsese choreographs his camera movements with an exhilarating, easy grace, and his dramatic use of rock 'n' roll (the film's title comes from a 1958 hit by the Genies) surpasses similar efforts in The Graduate and Easy Rider. Such fragments are bright enough to make Who's That Knocking-and more important, Martin Scorsese-worth watching...
...Italian Job, he is Charlie Croker, played by Michael Caine with his bag of standard accessories: cockney locutions, drooping eyelids and acute satyriasis. Charlie uses jail the way some men use their country clubs-to make valuable contacts. Though he is a petty criminal, Charlie contrives to rub shoulders with the larcenist laureate of England, an elegant superpatriot of a prisoner known only as Mr. Bridger (Noel Coward). Britannia waives the rules for Bridger, who affects Savile Row threads, dines alone, and stabilizes sterling by masterminding foreign robberies from his cell...
...reputation, once referred to Pound as "that preposterous American filibuster and Provençal charlatan." Gosse's dislikes were cordially returned. The young Evelyn Waugh saw Gosse as an "ill-natured habitue of the great world." "I longed," he added, "for a demented lady's maid to make...
...knows. The fighter often tells the manager what to do. He may still be chased into the ring by the pinch of poverty and some inner reach toward identity, but he usually does not accept pain and futility for long. If he does stay in and doesn't make it, as Leonard Gardner shows in this moving and perceptive first novel, he will find the modern fight scene, though anything but richly dramatic, every bit as cruel and lonely as ever...