Word: makes
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Dates: during 1960-1969
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...antiracist revolutionary movements and compensation for those "exploited" by capitalism. But in addition to its $500,000 allocation, the committee did call on member churches to give "a significant portion of their total resources to orga nizations of the racially oppressed." One way that churches might help was to make land available "free or at low cost" for community development...
...General Assembly of the Christian Church (Disciples of Christ), meeting last week in Seattle, similarly denounced reparations but requested that the church redeploy funds to make more than $30 million available to fight poverty and racial discrimination. Earlier, the General Synod of the United Church of Christ created a new Commission for Racial Justice and guaranteed it a minimum...
...being man's most immediate ancestor among the primates. Unlike the ape: who lived with him in East Africa, the short (just over 4 ft.), heavy-jawed man ape, Australopithecus, stood erect, eating meat as well as fruits and vegetables and was probably the first creature to make and use tools of stone.* Until recently, most paleontologists were certain that Australopithecus lived no more thar 2,000,000 years ago-or at least 6,000, 000 years after Rama. The Yalemen's discovery thus creates a huge gap in man's history between Australopithecus and Rama...
...jawbones buried in volcanic ash that is perhaps 4,000,000 years old. The expedition's leader, Anthropologist F. Clark Howell, is convinced that the creatures are members of the Australopithecus family, even though they must have belonged to a branch that probably did not eat meat or make tools. Despite their proximity to various ferocious neighbors in the fossil bed, says Howell, these man-apes were apparently able to survive with no other weaponry than their wits...
...concert hall. "The trouble with the concert hall," says California's electronic composer Morton Subotnick, "is that it requires a social and theatrical esthetic that really has nothing to do with our music." Germany's Karlheinz Stockhausen, who today works primarily in the electronic idiom, agrees: "I make everything for stereo records. The record is the document of how I want my music to sound...