Word: makeups
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Dates: during 1920-1929
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Last week a third fiasco occurred. A newly organized Boston Grand Opera Company (in whose personnel were Russian Soprano Anna Lissetzkaya, Baritone Pasquale Amato, Soprano Dorothy Speare) was scheduled to open its second week. Singers backstage applied their makeup, practiced their trills. A thousand patrons arrived. But the Opera House doors remained closed. The performance was canceled, money refunded. Reason: a $15,000 deficit...
...former President, being a man of very few words, won't thank them until they have sent two beds, a table, a rocker and some kitchen utensils." On the stage, Eddie Cantor's props- comparable to Will Rogers' gum and spinning ropes-are blackface makeup and white-rimmed spectacles. He accentuates his lines with eye-googling and eccentric prancing. When he wrote his first book a year and a half ago (My Life Is in Your Hands, autobiography), he required the aid of a ghostwriter, one David Freedman. Publishers Simon & Schuster vow that his latest book, Caught...
...part. When he was a little older he worked in art theatres. Sam Harris put him on contract. He made hits in such plays as We Americans and Four Walls. He was pleased with Seven Faces because it gave him a chance to exercise his hobby?facial makeup. He likes fights, football games, concerts, is bored by tennis, can play the violin. His two brothers are professional musicians. He dislikes applause and has his hair cut short so as not to look like an actor. Recently he made another talking picture?The Valiant...
...presented last year at the Metropolitan Opera House (TIME, Jan. 28) and before that in many a European capital, there was much discussion because Hero Jonny is supposed to be a black-face comedian. The Metropolitan authorities worried about letting Basso Michael Bohnen wear full, realistic black-face makeup, thought perhaps his neck should show white to reassure prejudiced observers. At the dress rehearsal the neck was white. It looked so absurd that at the performance it was blackened like the face...
...kissed her hand. She kissed his cheek. The other players did not count. As Forty-Niners they were patently masquerading. Tenor Giovanni Martinelli (Dick Johnson) had suffered and sobbed in the best Italian manner. Baritone Lawrence Tibbett (Jack Rance) was more credible, but looked funny in an Abraham Lincoln makeup. It was Jeritza who raised the performance above incongruity, saved the plot from appearing like any cinematic melodrama. She made comedy in the first act out of dishwashing, in the second out of tight slippers and a "company" costume. Then when the card scene came she loosed the energy which...