Word: makeups
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Dates: during 1930-1939
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...results of performances in this meet of both the Varsity and Freshmen decide the makeup of the combined Harvard. Yale team to meet Cambridge and Oxford in July, Freshmen were making special efforts to excel. Jim Lightbody qualified with a 49.1 quarter, George Downing also made the grade when he heaved the shot 45 ft. 6 1-4 in., nearly a foot better than the Varsity. Especially notable also was a new Freshman high jump record of 6 ft. 1 5-8 in. set by Harvard's Guill Aertsen...
Some perfect attendance records were made by Frazier Curtis, Torbert MacDonald, and Gus Soule of the Freshman class and Ken Booth '39, Myron Cohen '39, Richard Hedblom '39, Howard Johnson '39, and Ray Jones '39. Harlow would make no statement on the makeup of next year's squad, but said that it would consist of 37 players to be selected from a list...
...your open-eye moments, concentrate on the child actors, almost all of whom are remarkable for unaffected acting and outstanding musical talent. Without makeup and without tears, they become alive strictly on their own ability. The story concerns two young boys, one eleven, one twelve, whose genius for violin playing makes them a joy to their Russian teacher. Both are to enter a nation-wide musical competition, but the elder boy arouses the ire of the professor through a prank and is banished from the studio. In a grim and gloomy mood at his misfortune, he composes an original cadenza...
...plaster bust in the Hall of Fame. Last week Author Hilton put out his latest little number, the first to appear in three years. First readers found it about the same size and consistency as his famed Mr. Chips-with perhaps just a dash less salt in its makeup...
William Welch '38, does brilliantly in his unsavory role of villain. His makeup is a triumph in depravity; his every gesture reeks of wickedness. Prof. Jones, having once played this very same role in a stock company, must be well pleased in his disciple. Another piece of really brilliant acting is turned in by Richard F. Rabenold '39 in a rather minor part, that of the grubbing pawn broker. Charles Tuttle '37 is both lovely and affecting as the long suffering heroine. But Howard Bristol '38 as her mother is a veritable revelation in matronly dignity. The actors...