Word: makeups
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Dates: during 1940-1949
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...most outstanding feature of the magazine is its makeup-clean and bold. Its simplicity provides an attractive setting within which to display the contents. The tone of the articles is openly crusading. One side is right, the other wrong. Everything is made very simple. Roosevelt, Wallace, and the AYD are the heroes; anyone who is on the other side is a villain...
...woefully inadequate lights are bad enough, but unfortunately the Idler staff was further weakened by poor designers. The exterior scene--purporting to be a garden--had all the carmarks of a grammar school watercolor exercise; and the interior seemed overcomplicated for the small stage. Costuming was excellent, but makeup again seemed amateurish to an inexcusable degree, as principals frequently appeared with faces mottled by huge black spots...
...when the presses are running and rips the paper apart if he doesn't like it. Never a reporter, Bartholomew started out in the Mirror's engraving department, became art editor, co-invented a system of cable transmission of photographs, has immense technical knowledge of pictures and makeup...
...Signature is an attractive-looking job, with its makeup improved over the extinct Radditudes. The cover, a pleasant photograph of a girl outside Harvard Hall, sets the inter-collegiate tone, while the football-weekend montage inside lends the timely mood. The new magazine has set itself a road to travel; the need for it seem to be there; and this issue is worth its thirty-five cent price...
...scene above, Fred Tullar of the Associated Makeup Artists applies the paints to Georgia Rughes, Emerson College '49, leading lady, while William West '49, the male star, and director Ted Allegretti '47, await developments...