Word: makeups
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Dates: during 1950-1959
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...that sophisticated New Yorkers knew that the Mad Bomber was not just whistling through his teeth; the sensation-loving papers cheerfully nursed the tautening nerves. Off the presses came a rash of interviews with psychologists, psychiatrists, jewelers, bomb experts, handwriting experts, cops, scientists. Columnists discoursed learnedly on the psychopathic makeup of the man who so desperately wanted recognition, speculated on everything from his childhood to his sex drives (either weak or strong, depending on the columnist). Hearst's Journal-American thoughtfully provided a do-it-yourself spread on how to make a pipe-bomb; Scripps-Howard's World...
...Scrooge showed some of his talent (as when he tried to wish away Marley's ghost as a case of indigestion), but for the most part, he seemed to be trying to caricature Scrooge Emeritus, the late Lionel Barrymore. The production was technically instructive for viewers interested in makeup techniques-the line dividing March's real nose from Scrooge's putty one was visible through most of the hour-long show-and the dinner table in the house of poor, starving Bob Cratchit (Bob Sweeney) was so laden with food that it needed only Henry VIII...
Saturday morning at 9:30 a series of panel discussions on various scholastic newspaper problems will begin. Topics to be considered include photography, censorship, makeup, editorial writing, reviewing, sports writing, the use of humor, finances, features, and news writing. The students will be able to attend two of these panels, and when the second set ends about 12:30 p.m., they will return to the CRIMSON for a buffet lunch. The Conference will adjourn after lunch...
Saturday morning about 9:30 the students will gather for panel discussions on various problems of scholastic newspaper publishing, including topics like editorial writing, makeup, the use of photographs, the problem of censorship of school papers, news writing, features, and other subjects...
Offstage, Pianist Haskil is a plain woman who wears no makeup to conceal the traces of suffering that line her face, but her features are livened by wisdom and humor. She was a prodigy, made her debut in Vienna at the age of nine, and won a Grand Prix at the Paris Conservatory at 14. After World War I, illness forced her into temporary retirement; later she took up playing sonatas with such greats as Ysaye, Enesco, Casals. She has appeared at the Casals festivals in France, and it was one of her younger colleagues there, Pianist Eugene Istomin...