Word: makeups
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Dates: during 1950-1959
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...farmer speaks mostly through his farm organizations. If the farmer's voice sometimes seems garbled in transmission, it is because the farm organizations themselves differ greatly in background, makeup, leadership and outlook. The nation's major farm organizations...
...started this discussion with a disclaimer of any prophetic gifts, and I shall not attempt to divine the makeup of the new majority and its time of appearance, much less the precise content of its base of agreement. It may be possible, however, to suggest some directions in which we might search for a political consensus appropriate to the challenge which we face, and some of the shifts in the present majority-minority alignment which may be required to produce...
Early in the attempt to copy the Kefauver technique (see following pages), it was clear that Adlai Stevenson was not enjoying it. His irritation at his unusual role kept breaking out. When newsmen crowded into a dressing room as a makeup man powdered his face and pate for a Los Angeles telecast, Stevenson snapped at a pressagent: "Do we have to have all the photographers here now?" A day later, in San Francisco, when someone pushed a bewildered four-year-old girl into his arms and told her to kiss him, Adlai looked terribly embarrassed. The girl gave...
...Based on the 1954 book by Ewen Montagu (TIME, Feb. 1, 1954), who masterminded the actual hoax, the film is largely faithful to its engrossing true story. Its chief flaw is some romantic embroidery concerning Gloria Grahame, who is done a bad turn both by the scriptwriter and the makeup man (she often looks as if she had been doused in oil for a Channel swim). An extra helping of thrills was also tacked on to make the Nazis seem less gullible than they actually were...
...read avidly. But the reprints were not the only notable news reports in circulation. Two important Bogota dailies, both suppressed by Rojas Pinilla, popped up again last week under pen names. Internationally respected El Tiempo reappeared as El Intermedia (Interlude), and El Espectador as El Inde-pendiente. In makeup, typography and content, down to the smallest detail, both papers were identical with their forerunners. Such transparent disguise presumably meant that Strongman Rojas, smarting under criticism, was willing to let them start up again with only a legalistic switch in names to get him off the hook. But censorship went right...