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Word: makeups (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...excellent camera man. William Brayne in a different way, depending it seems on the way they view what the camera means. A middle-aged woman waiting in a seat, a platinum blond with hair teased into a mountainous bundle and skin with wrinkles still dimly perceptible under heavy makeup turns her head to the side and looks up, apparently proud of her looks. The face itself is unattractive, but the pride, and the disdain with which the woman treats the camera seem to open up an entirely different dimension--that one moment of revealed character make the picture or sequence...

Author: By Gregory F. Lawless, | Title: Watching the Camera | 9/24/1975 | See Source »

...into several disguises per show in order to sanitize the notorious district of the title. Doug McClure plays a gambling-house owner, amusingly exasperated by his friend's slippery ways. The show is exuberantly staged and every present or former owner of a mail-order fool-your-friends makeup kit ought to enjoy...

Author: /time Magazine | Title: Television: Viewpoints: The New Season, Part II | 9/22/1975 | See Source »

...never to come back, and that was all the severance it took. I had no place to go. I stuck out my thumb on a freeway entrance, going through all my tears to Venice, where I remembered beatniks lived. Afraid, with all my books, my dictionary, my eye makeup clutched to me, I sat on a bench staring at the ocean...

Author: /time Magazine | Title: The Memoirs of Squeaky Fromme | 9/15/1975 | See Source »

Bellows has since brightened the paper's makeup, hired irreverent Pulitzer-prizewinning Cartoonist Patrick Oliphant away from the Denver Post, added a progressive, young editorial-page editor and dropped a few antediluvian columnists, and proffered readers a daily front-page "Q and A" column (one surprise subject: Post Publisher Katharine Graham) and "The Ear," a brassy capital gossip column...

Author: /time Magazine | Title: The Press: To Catch a Falling Star | 7/28/1975 | See Source »

...giant TV set up onstage. I worked hard to keep the sound of the kids' voices real. I didn't want them to sound like Ethel Merman by merely whispering into a mike. Neither did I want their faces to look plastic. The boys wear no makeup, and the girls are in street makeup. There are no baby-pink gels to make them look theatrical. They are under hot white lights, which are hard on a face. This show isn't about tricks, it's about emotions...

Author: /time Magazine | Title: Show Business: It Started with Watergate | 7/28/1975 | See Source »

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