Word: making
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Dates: during 1940-1949
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...passengers darkly suspected the Pennsy of milking its stepchild by overcharging for the use of its Manhattan terminal and East River tunnels. In 1940, the Interstate Commerce Commission found some truth in this. It made the Pennsy kick back $5.6 million of these charges to the Long Island, and make a new contract that trimmed a million a year off the rents...
...shown little desire to go back in, despite repeated invitations. Last year, Cities Service Co., the only one that had not left Mexico, took on a job of drilling new wells. But otherwise, the best deal that Antonio J. Bermudez, boss of Pemex, Mexico's oil monopoly, could make was with J. Edward Jones, a small U.S. oil promoter, to drill 100 wells (TIME, Sept. 22, 1947). He drilled...
...often they ignore human emotions. Everything would be fine if only a patient could calmly accept the idea of an operation. But patients almost never do. Most people have psychological weak spots and most surgical patients are "apprehensive, anxious people, reacting emotionally rather than rationally." They fear death (many make their wills just before an operation), pain, disfigurement, loss of function. The fears are as much a part of the patient as his gallstones or diseased appendix...
...latest version has few surprises. One of them is Producer-Director Mervyn LeRoy's success in bringing to life once more the faded sentiments and the tintyped situations. Another is June Allyson's playing of tomboy Jo. She has a refreshing breeziness and bounce which make the old tale believable and now & then lift it right out of its tatted frame. Other notable performances are Margaret O'Brien's delicate, peaked portrayal of ailing Beth, and the supporting work of veterans Mary Astor (Marmee), the late Sir C. Aubrey Smith and Lucille Watson. The whole package...
There is some pathos in the stffry of a widowed concert singer (Jeanette MacDonald) who sees her only son hit and killed by a truck, but the sentiment sours when the scripters make Jeanette a self-centered, self-pitying woman. There is also some promise in the relationship between the singer and an orphan boy (Jarman) whom she meets in the Carolina Mountains. But the association never quite comes off. For one thing, young Jarman is uncomfortably overgrown and incurably quaint, and he is pictured as a ninny. Perhaps the only character to live up to expectations is the general...