Word: making
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Dates: during 1970-1979
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...Lady of Pity, a Roman Catholic church in North Cambridge, Mass., had never before seemed so aptly named. Looking ahead to the coming winter, the priests were stunned to discover that their heating-oil bill for 1979 will make even the $12,000 they paid last year look like a bargain. To cut costs, they plan to close off the 1,100-seat main sanctuary during the cold months and hold services in the church chapel and chapel hall, which together can accommodate only 500 worshipers. Explains one priest: "It is simply a question of 45 gal. an hour...
General Motors builds 70% of all big cars today, and they make a $2,000 profit on them while we're making $700 on little cars. On top of that, they've got Sevilles selling at $5,700 profit per car; we don't have those baubles in our candy store. And GM is the price leader; it's not going to raise its prices $ 1,000 on little cars just so we can break even. We're the underdog, but that means we've just got to do it smarter...
...wake up, I think of what I'm doing. Yeah, I'm trying to save a company but I never invent anything any more. I never create a job. Everything I do is to meet a law. It worries me for all industry. I'll make a prediction: the auto industry is the leading edge and will be in trouble between now and 1985 in varying forms. There will be other cries for help...
...from Kane to king. Now he is a country sheriff in Never Trust an Honest Thief, shooting in Las Vegas. Welles, who complains of the state of his personal exchequer, says he was attracted to the role partly because "the villains are the tax gatherers." In another effort to make ends meet, Welles can be seen on closed-circuit TV at Caesars Palace explaining the intricacies of craps, baccarat, roulette and blackjack to fledgling high rollers...
...Bertolucci troubling us with these decadent people? It is not to create a morality play. The director does not ask us to care about his characters or even to judge them; they are only instruments to make us share his vision of the world. As always, Bertolucci owes a lot to Verdi, whose life and work is invoked here even more than in 1900. The director believes that life takes on its fullest meaning when it is lived at the intensely passionate pitch of grand opera. By sheer cinematic force, he seduces us into sharing his perverse, voluptuous sensibility...