Word: malcolms
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...fought off rival attempts to make the film, wrangled with the poet Amiri Baraka (once known as LeRoi Jones) and other black nationalists about how their hero should be portrayed on the screen, knocked heads with Warner Bros. over how much money and playing time are needed to tell Malcolm's story, and lost financial control of the project. "I knew this was going to be the toughest thing I ever did," he says, sitting wearily in his editing room. "The film is huge in the canvas we had to cover and in the complexity of Malcolm...
Before shooting began in New York City last September, Baraka publicly warned Lee "not to mess up Malcolm's life" and organized a protest rally. After Lee lashed back at Baraka, a truce was declared. But disagreements with Warner Bros. haven't been resolved as easily. The studio refused to kick in additional funds when Lee went $4 million over his $28 million budget, prompting the bond company that insured the completion of the film to assume financial control of the movie. That means Lee must get approval from the bond company for each dollar he spends. "They have financial...
...also continues to insist that he needs at least three hours of screen time to trace the dramatic transformations of Malcolm's life: from the street hustler who sold drugs and women into the charismatic spokesman for the Black Muslims who preached black self-determination and antiwhite rhetoric and, finally, into the orthodox Muslim who made a hajj to Mecca and embraced universal equality. The studio would prefer a brisk compression of the story. Twice in the past month, Lee and studio executives have faced off in shouting matches in which Lee cited Oliver Stone...
Since being gunned down in a Harlem ballroom 27 years ago, Malcolm X, once viewed as an alarming extremist by whites and many blacks as well, has evolved into an icon in the black community, revered by African Americans ranging from Supreme Court Justice Clarence Thomas to the members of the raging rap group Public Enemy. Making a movie to satisfy all these constituencies would seem an impossible task. At various times since producer Marvin Worth sewed up the rights in 1968, novelists James Baldwin and David Bradley and playwrights David Mamet and Charles Fuller tried their hand at writing...
When he heard that Jewison had the go-ahead for the project, Lee waged a protest campaign, arguing in the press that only a black director could do the right thing with Malcolm's story and pestering Worth with countless phone calls, insisting, "I'm the guy, I'm the guy." Worth finally relented, and Jewison bowed out. Warner Bros. agreed to finance the Baldwin script, as rewritten and directed by Lee, starring Academy Award-winner Denzel Washington. "I think they felt it would be more of an event with Spike," Worth says...