Word: malevich
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...this case the time was the years just before and after the start of the First World War, in 1914. That was when the multidirectional Czech painter Frantisek Kupka and the austere Russian Kazimir Malevich were in their different ways achieving escape velocity on canvas. And so was Kandinsky, who would become the most tireless apostle of an art that answered to nothing in the merely material world. Born in 1866 to a prosperous Moscow family, Kandinsky spent his 20s studying law and economics, all the while bending toward another calling. He was the sort of young man who could...
...Futurism itself was pretty much over by 1915 - the end point of the show. Briton Christopher Nevinson painted vorticist soldiers, Italian Gino Severini created some fractured war scenes, like Red Cross Train Passing a Village (1915), and the Russian Kazimir Malevich's figures seem constructed out of shell cases. This show is a chance to appreciate these artists and their youthful enthusiasm, before the first mechanized war crushed both...
Kentridge has borrowed from the imagery of that avant-garde, the ecstatic and utopian imagery of Vladimir Tatlin and Kazimir Malevich, for a production of The Nose--Shostakovich's 1930 opera based on the Gogol story about a Russian bureaucrat who awakens one morning to discover that his nose has left his body and begun to pursue its own career up the social hierarchy--that the Metropolitan Opera in New York City will mount next year. The San Francisco show, which was organized by Mark Rosenthal, a curator at the Norton Museum of Art in West Palm Beach, Fla., climaxes...
...Born into a poor working-class Moscow family and trained as an artist in St. Petersburg, Filonov was part of the singular explosion of avant-garde art that blossomed in early 20th century Russia from the likes of Abstractionist Wassily Kandinsky, Supremacist Kasimir Malevich, Surrealist Marc Chagall and Constructivist Vladimir Tatlin. But Filonov never stayed with any school except his own, which he called "analytical art." It was in the eulogy to Filonov offered by the poet Alexei Kruchenykh, Futurism's major theoretician, that the exhibition's curators found their title, Witness of the Unseen...
...leaders toiling for the communist cause went up on every billboard, cinema screen and gallery wall until, as Groys puts it, "they completely altered and reorganized the visual space of an entire society." But, as the exhibition attests, artistic talent could occasionally shine through, transcending the intended ideology. Kazimir Malevich's 1928 Reapers, a bold, block-colored painting of three peasant women, is as stunning as the groundbreaking abstracts that made him famous in Czarist days. And Alexander Deineka's 1931 On the Balcony owes more to Bonnard or Matisse than to Stalin. But it is the affinity between Stalinist...