Word: malevich
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...single art event symbolized Russia's thawed relations to its own modernist past, it was the show at the Tretyakov Art Gallery in Moscow last winter by a painter and mystic who died in 1935, well into the Stalin era, and whose work remained buried for decades thereafter: Kasimir Malevich...
...Malevich show was a political emblem -- an embrace of a severed history. Not long before, in A-Ya, a magazine dedicated to "unofficial" Russian art, the critic Igor Golomshtok lamented, "We know little more about Malevich's last paintings than about Andrei Rublev," the legendary Russian artist who died in the 15th century. For most artists in the Soviet Union today, Malevich is the rodonachalnik, the "founding father" of modern art: the man around whom its history needs to be rewritten...
Born in Kiev in 1878, Malevich invented himself with astonishing speed. Between 1905, the year he moved to Moscow, and 1915, he ran through the gamut of early modernist styles, from pointillism to cubism. Early works like Floor Polishers, 1911-12, show his assimilative powers: this gripping image of hard labor, where every line reinforces the muscular twist of bodies and the thrust of the feet with their waxing pads on the floor, ultimately derives from Matisse's Dance. Troglodytic, pious and massive, Malevich's figures of peasants from the '20s both assert modernity and deny...
...sent him to Paris that year. He took a studio in a rickety building near the slaughteryards and found that his neighbors were Soutine, Leger and Modigliani. Back in Russia by 1914, Chagall waited out World War I (and was plunged into the Revolution) in the company of Tatlin, Malevich and Kandinsky...
...alchemist, Marcel Duchamp. It also features several vitrines of early mystical, cosmological and alchemical texts known to have been studied by modern artists, some of whose illustrations are of astonishing beauty and suggestiveness. But its main focus, inevitably, is on the inventors of abstract art: Kandinsky, Mondrian, Kupka, Kazimir Malevich -- all represented by remarkable works. One would have to go a long way before finding a more intriguing Kandinsky, for instance, than his Lady in Moscow, 1912, with its gray "health aura" and its sinister coffin-shaped black mass that, floating across the street, menaces the life- giving...