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Word: malevolentisms (lookup in dictionary) (lookup stats)
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Powell disavows the label of racist, or racialist as some Britons say. "What I would take 'racialist' to mean is a person who believes in the inherent inferiority of one race of mankind to another, and who acts and speaks in that belief," he explains. "So the answer...

Author: /time Magazine | Title: World: The Phenomenon of Powellism | 1/17/1969 | See Source »

Chabrol has gleefully acknowledged the presence of at least one death in each of his films, and these deaths act as elaborate metaphors for forces of change and reevaluation. Christine's death in Champagne Murders brings about a violent reappraisal of the three characters' commitments, and the film ends on...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

One Pepperlander manages to escape. White-mustachioed Old Fred climbs into the Yellow submarine (which is inexplicably parked on the summit of an Aztec pyramid) and takes off to bring somebody-anybody-to help. He ends up in Liverpool and finds the Beatles. After a voyage through some indeterminate fantasy...

Author: /time Magazine | Title: Art: NEW MAGIC IN ANIMATION | 12/27/1968 | See Source »

Edelmann took considerable trouble with his principal characters-studying the Beatles' film, A Hard Day's Night, to get their characteristic walks, and watching an old newsreel of Hitler as a model for some of the movements of the Chief Blue Meanie. Edelmann's out right inventions...

Author: /time Magazine | Title: Art: NEW MAGIC IN ANIMATION | 12/27/1968 | See Source »

One of the Tommies under his command is hot-tempered, brawling Gunner Danny O'Rourke, who defies ennui not with ambition but with fury. Nicol Williamson portrays O'Rourke as a sardonic, 20th century Ahab, ever raging against a malevolent creation. He sees barracks boredom as proof that...

Author: /time Magazine | Title: Cinema: Battle with Boredom | 10/4/1968 | See Source »

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