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Canada Lee, Negro pugilist-turned-actor, got into a wig and grease paint in Boston and made a little modern theatrical history by playing a white man's role opposite Star Elisabeth Bergner in The Duchess of Malfi. Critics' judgment: a success. In Wilmington, Del., history repeated itself: a theater manager disavowed racial prejudice but canceled The Duchess' engagement...

Author: /time Magazine | Title: People: People, Oct. 7, 1946 | 10/7/1946 | See Source »

...Tributary Theatre last night achieved one of the most potent productions of Elizabethan drama seen herabouts in its showing of Christopher Marlowe's "Dr. Faustus." Under the direction of Eliot Duvey, a group of relatively unknown players have infinitely outshined the Broadway luminaries of last week's "Duchess of Malfi," and in their organization, point the way for serious theatre groups everywhere...

Author: By S. A. K., | Title: The Playgoer | 10/5/1946 | See Source »

...built on the grand Shakespearean scale." Readers, argues Cecil, may be overcritical of Hardy's often cumbersome, melodramatic writing if they fail to grasp that his work was modeled on the Elizabethan drama-on the wild and stormy tragedy of King Lear and The Duchess of Malfi rather than on he carefully constructed novel form of a Tolstoy or a Jane Austen. They may also become impatient with his pessimism if they do not realize that, unlike his great Elizabethan predecessors, Hardy was a reluctant atheist...

Author: /time Magazine | Title: Books: Cassandra in Wessex | 9/9/1946 | See Source »

Elisabeth Bergner, playing in The Two Mrs. Carrolls (TIME, Aug. 16), looked forward with relish to her next play, John Webster's early 17th Century The Duchess of Malfi. "It is an incestuous play," she explained. "A woman almost gives birth to a baby on the stage, a woman almost rapes a man on the stage...

Author: /time Magazine | Title: People: Entertainers | 8/23/1943 | See Source »

Story of a young duchess who marries her steward, only to be persecuted and finally strangled to death at the command of her disapproving brothers, The Duchess of Malfi. swirls with the dark, cruel, guilty emotions of the Elizabethan theatre. Its splendid imaginativeness, its impassioned poetry, lift it above mere violence and gore. But it is horrifying rather than terrifying: there is so much bloodshed at the end it is impossible to keep stabs...

Author: /time Magazine | Title: The Theatre: Braver than Broadway | 12/25/1939 | See Source »

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