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...those days of studio czars and long-term contracts, there was no time to watch the waves in Malibu while waiting for inspiration, the right script or more money. Everyone worked in the fantasy factories of 1939, and nearly every major figure was represented by at least one picture. Jimmy Stewart's fans, for example, had no fewer than five to choose from (Mr. Smith Goes to Washington, Destry Rides Again, Made for Each Other, It's a Wonderful World and Ice Follies of 1939), and so did Henry Fonda enthusiasts (Jesse James, Young Mr. Lincoln, Drums Along the Mohawk...

Author: /time Magazine | Title: Show Business: 1939: Twelve Months of Magic | 3/13/1989 | See Source »

Even by the laid-back standards of Southern California, it was a slow-motion arrest. Just outside Malibu last week, highway patrol officer Donna Urqidi noticed that a slow-moving 1978 Volkswagen was creating a traffic jam and ordered its driver to pull off the road. But as Urqidi left her car, the VW took off. With lights flashing and sirens screaming, Urqidi and two other patrol cars set off in less than hot pursuit of the escaping vehicle. And followed. And followed. And followed. Through the San Fernando Valley, Los Angeles, Orange, Riverside and San Diego counties. For four...

Author: /time Magazine | Title: California: Low-Speed Chase | 1/16/1989 | See Source »

...included Marlo Thomas and Cher, now leads a privileged single life. (His estimated net worth, according to Forbes magazine: $240 million.) In his gallery-like apartment on Manhattan's Fifth Avenue, the walls are covered with the works of David Hockney, Jasper Johns and other modern masters. From his Malibu beach house, he skims the Pacific in a 20-ft. speedboat. Like most self-made men, however, Geffen is consumed by his work. "My greatest fear is getting bored," he explains. "I'm always taking notes on the imaginary yellow scratch pad in my mind." Given the profit potential...

Author: /time Magazine | Title: Little Shop of Winners | 12/12/1988 | See Source »

...novels and in the screenplays he wrote for Billy Wilder and Alfred Hitchcock, Chandler scripted much of the unshaven poetry and arsenic idealism that form us now, and haunt us still, in Mickey Spillane beer ads and smoky urban videos, from Jack Nicholson's Chinatown to Joan Didion's Malibu...

Author: /time Magazine | Title: Essay: Private Eye, Public Conscience | 12/12/1988 | See Source »

When the J. Paul Getty Museum in Malibu, Calif., unveiled its latest acquisition two weeks ago, scholars applauded the work as a masterpiece. Dating from the 5th century B.C. and believed to represent Aphrodite, the Greek goddess of love, the marble and limestone figure drew praise for its unusually good condition and majestic beauty. But Getty officials, who reportedly paid $20 million for the piece, may have got more than they bargained...

Author: /time Magazine | Title: Antiquities: How Hot Is Aphrodite? | 8/15/1988 | See Source »

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