Word: malick
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...that war again. At the end of a film year dominated by Steven Spielberg's Saving Private Ryan (Europe, 1944: D-day and after) comes Terrence Malick's The Thin Red Line (the Pacific, 1942: Guadalcanal). The two films, each with a rightful claim to magnificence, are as different as the terrain of their settings and the strengths of their makers. The New York Film Critics' Circle probably got it right last week by naming Private Ryan best film and Malick best director...
...THIN RED LINE Two great World War II epics in a year, and so different. This one, the first film directed by Terrence Malick since the 1978 Days of Heaven, imagines the Guadalcanal battle as a standoff between man at his most frantic and nature at its most rapturous. In one embracing vision, Malick gives you Eden and the Fall. Welcome back, Terry...
...varieties: those who live in 8-ft. by 10-ft. shacks in Montana and those for whom top Hollywood talent begs to work--for scale. The latter category includes directors Stanley Kubrick, who kept Tom Cruise and Nicole Kidman on a movie set for almost two years, and TERRENCE MALICK, the anti-social filmmaker who hasn't directed a movie or agreed to be photographed (until now) in 20 years. Malick has made only two films, Badlands and Days of Heaven, but his reputation has grown in inverse proportion to his output, enabling him to draw Sean Penn, John Travolta...
...Badlands (1973). Terence Malick's teenagers-in-love-turn-killers-on-the-road movie, which inspired a thousand imitators. The unheralded gem of American cinema. Raging Bull (1980). The finest sports movie ever made, with grit courtesy of Marty. Citizen Kane (1941). Orson Welles' masterwork remains the ur-text of film schools worldwide because it blew wide open the envelope of cinematic possiblity. Mean Streets (1973). The gritty realism of Scorsese's breakthrough movie began the stylish exploration of the low-rent wiseguy that he completed in "Goodfellas." The Manchurian Candidate (1962). The finest American political film ever goes deep...
Spielberg's first important theatrical film was The Sugarland Express, made in 1974, a time when gifted auteurs like Scorsese, Altman, Coppola, De Palma and Malick ruled Hollywood. Their god was Orson Welles, who made the masterpiece Citizen Kane entirely without studio interference, and they too wanted to make the Great American Movie. But a year later, with Jaws, Spielberg changed the course of modern Hollywood history. Jaws was a hit of vast proportions, inspiring executives to go for the home run instead of the base hit. And it came out in the summer, a season the major studios...