Word: maliella
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...began her career by studying coloratura as well as dramatic parts. Her favorites are Norma and Aida (she feels the "terrible oppression" they suffered), Rachel in Halévy's La Juive ("It is of my own land . . . my race, which in Poland suffered inconceivable persecutions") and Maliella in The Jewels of the Madonna ("a vamp type . . . brilliant temperament of a feminine mind"). In 1924 Arturo Toscanini, then director of La Scala in Milan, offered her the leading soprano role in the world premiere of Arrigo Boito's posthumous Nerone. Regretfully she declined: she would not break...
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