Word: malignance
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Dates: during 1980-1989
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...combined graft, violence and promises of "Every Man a King" to build a kind of populist police state in Louisiana. Long was already threatening to run for President when he was shot down in the late summer of 1935 by a man whose family he had ruined. Almost equally malign was a Roman Catholic priest, Father Charles Coughlin, whose ardent and often anti-Semitic broadcasts from his Shrine of the Little Flower in Royal Oak, Mich., brought him a vast following (he regularly received 80,000 letters a week). To overthrow Roosevelt, whom Coughlin denounced as "anti-God," the priest...
...Penthouse trial, Spence used a typical strategy: portraying his client as a simple, small victim of big malign forces. To the six Cheyenne jurors, he characterized Penthouse Publisher Bob Guccione, 50, as an arrogant, unprincipled New Yorker, "the gentleman sitting over there in the velvet pants." When Guccione suggested that only people with the intelligence of a "flatworm" would think the disputed article was nonfiction, Spence, a University of Wyoming law graduate, began to refer to himself and fellow state residents as mere flatworms. He also listed 15 similarities between Pring and the protagonist of the article, which described...
...they break out. In The Storm, a husband and wife visiting an Italian villa find their quarrel interrupted by a ferocious thundershower: "The attack begun, the clouds brought up their artillery; lightning, splitting the sky, shimmered across the flagstones of the terrace." Despite its fury, the storm is not malign; it subtly changes the marriage into something both partners can live with...
...role in London. He lacks Scofield's ability to make a syllable wince or engorge a phrase with acrid humor. More important, McKellen does not make Salieri's early vows of purity plausible. Thus his desired revenge against both God and Mozart verges on lago's malign spirit. No cast under Peter Hall's direction ever fails to glisten with finesse, force and impeccable timing. Jane Seymour plays Mozart's wife Constanze warmly and fetchingly. Nicholas Kepros must also be singled out for the feline subtlety of his portrayal of Emperor Joseph II, brother...
...praise to Wayne Fitzgerald and David Oliver, who devised this witty, vivacious credit sequence, and to Dolly Parton for composing and singing the title song. Alas, it consumes only 2½ minutes of Colin Higgins' slapstick sermon on job equality. The rest of the film is misjudged and malign. Higgins has little more to tell us about the personalities of his three secretaries than those first alarm clocks did: Judy (Jane Fonda) is square, Doralee (Dolly Parton) is frilly, Vi (Lily Tomlin) is sensible. Together, though, they are a Stenographic catastrophe; they'd lose the quick-brown...