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Louis Malle traveled to India with different expectations. After realizing the limitations of his bourgeois concerns with upper-middle-class love affairs, he divorced his wife and left France torn by the political riots of May 1968. Financed by the British Broadcasting Corporation and given a free reign by the...

Author: By Gilbert B. Kaplan, | Title: Dreaming India | 4/18/1973 | See Source »

Consequently he decided to film India with as little personal intrusion as possible, letting the landscapes and people speak for themselves. At the same time in his laconic French accent Malle narrates his reaction to what he sees and his problems filming. The result is a successful amalgam that is...

Author: By Gilbert B. Kaplan, | Title: Dreaming India | 4/18/1973 | See Source »

MALLE'S MAIN concern is the interrelation between politics and the primitive in India. He starts his journey outside Madras looking at two women on their knees shearing bits of grass with little spades. "As so often in India, you can look at a scene in two ways," he says...

Author: By Gilbert B. Kaplan, | Title: Dreaming India | 4/18/1973 | See Source »

Phantom India. French film maker Louis Malle has made one of the great documentaries of recent years. Banned in India.

Author: NO WRITER ATTRIBUTED | Title: the screen | 3/29/1973 | See Source »

EMERSON 210, The Lovers [Les Amants] by Louis Malle, presented by West European Studies, Mar. 15, 8, Mar. 16, 10, $1.

Author: NO WRITER ATTRIBUTED | Title: Harvard | 3/15/1973 | See Source »

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