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Word: malletted (lookup in dictionary) (lookup stats)
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Villot, following a centuries-old ritual, immediately called out the Pope's baptismal name (Giovanni) three times, then pronounced the formula vere Papa mortuus est (truly the Pope is dead). He dispensed with the former tradition of tapping the dead Pontiff's head three times with a small silver mallet. Minutes later a heavy chain was drawn across the great iron door of Castel Gandolfo, and church bells in Rome began their slow, measured death toll, signaling the news to the world...

Author: /time Magazine | Title: In Search of a Pope | 8/21/1978 | See Source »

...Tyner, 39, worked over the keyboard with his great John Coltrane-inspired chords. But backing him up was a new, lush sound provided by a chorus from his latest recording group and a genie of a percussionist who appeared and disappeared, armed with a startling array of gourds and mallet-like instruments...

Author: /time Magazine | Title: Music: A Silver Newport | 7/10/1978 | See Source »

...aesthetic embodied in "Marimba," a 1976 work set to Steve Reich's "Music for Mallet, Instruments, Voices and Organ," is that of repetitive imagery. The intensity of repetition leads to clearer seeing, deeper insight; it's a curiously challenging boredom. The unfamiliar is so predictable as to become unexpected. Composer Steve Reich articulates this aesthetic in an essay defining music as a "gradual process." He writes, "I want to be able to hear the process happening throughout the sounding music," a perfect description of "Marimba," a dance about form revealing itself...

Author: By Susan A. Manning, | Title: Lubovitch at the Loeb, Soll, and New England Dinosaur | 2/10/1977 | See Source »

...game reflected our inexperience," captain Bill Griffen said yesterday. The team had a month of practice under its belt, with primary emphasis on riding skills and elementary mallet work...

Author: By John Blondel, | Title: Elis Ride Past Polo Team | 12/7/1976 | See Source »

...Said Vallely: "I hadn't realized how hard soap-opera actors work." New York Correspondent Mary Cronin, a daytime drama addict from the radio days of Mary Noble and Helen Trent, reported on the battle of the soaps from the networks' point of view. Staff Writer Gina Mallet, who divided her time between the tube and the typewriter in her office, wrote the cover story...

Author: /time Magazine | Title: A Letter From The Publisher, Jan. 12, 1976 | 1/12/1976 | See Source »

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