Word: mallozzi
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Dates: during 2000-2009
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...projected onto Widener Library last night as part of a series of black, white, and red words and images in filmmaker Julie Mallozi’s celebration of the 60th anniversary of the Universal Declaration of Human Rights. The ‘60.30.1’ light installation by Mallozzi begins a week’s worth of events celebrating the anniversary. The piece, whose title is a reference to the 60 years since the 30 articles of the document were ratified, will be displayed by 11 projectors for the next two days on buildings at the Law School...
...Mallozzi end up becoming a TF at her alma mater? Her answer is characteristically honest: she started in 1997 for the film-editing resources Harvard could offer her, but has remained at the College because her students have helped her to discover “something I didn’t know when I started…[that teaching would] become this second passion.” But, of course, she needs her creature comforts, just like anybody else: “And [teaching’s] handy—it gives you health insurance and it pays the rent...
...could run for ten years [in a format like that],” Mallozzi notes with a quiet joy, both for the potential shelf-life of the film and for the good work...
Even though the film is a true achievement, Mallozzi never descends into self-important descriptions of her influences or intentions, although she would have a right...
...walked away from our interview, I could not help but feel that Mallozzi and her work are buried treasures in the world of Harvard. And once you unearth them, prepare to have your mind blown...