Word: malraux
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...Left is Mendés' brilliant young disciple, Journalist Jean-Jacques Servan-Schreiber, whose weekly L'Express provides a forum for Mendés' dedicated strategists. Last week L'Express proudly welcomed a distinguished new recruit to the New Left's ranks: Novelist Andre Malraux...
...museums, the great religious art of the past ceases to be an aid to worship and becomes something less: the delight of art lovers. Visiting the U.S. last winter, French Critic Andre Malraux went so far as to declare that the nation's museums have become its real churches...
...seven lean years in the party with a kind of choked-up reluctance; in a sense, he has already made bigger and better confessions in his fiction. The Invisible Writing is nevertheless a fascinating document in which Koestler reaffirms membership in the company of those who, like Silone. Malraux, Chambers and others, have "seen the future" and are very much afraid that it may work. Koestler confesses to a recurring dream in which he shouts warning of terrible danger to a crowd, but no one will listen. With his faculty for making his nightmares come true, he is now living...
...monsters within. It is a "cosy" doghouse, Koestler admits, and in gratitude affirms that this mild race lives "closer to the text of the invisible writing than any other." No one in Koestler's new home would dream of asking a stranger what France's André Malraux once asked him : "Yes, my dear chap, Apocalypse?" Koestler seems to think that it is always with us, and toward those who ignore it, he can be scathing. Replying to some letters asking whether a description of a mass killing was fact or fiction, Koestler wrote a blast that many...
...painted bouquet to match the floral drapes in the guest room, or decorators trying to bring dreadful cheer to thousands of bare hotel rooms. Stacks of floral pieces, faithful dogs, pink-coated huntsmen, summer landscapes and angelic children are certainly a "common heritage," but not the one Malraux talks about...