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...Kentucky "Jaybird" because he was always jabbering about some wrongness the world had done to him, and some wrongness was always being done, it seemed, in that east Kentucky town, in 1840 no longer the frontier but still a place where a man could make a decent living making malt whiskey and selling it to the survivors of the Iroquois Five Nations, and nobody would care until the night when Jaybird Bell, liquored u on his own hooch, killed a man in a knife fight. Then he would have to flee, back across the line into western Virginia, up into...

Author: NO WRITER ATTRIBUTED | Title: Prince Emmanuel's Land | 1/7/1980 | See Source »

...beer and wine as well as whisky through franchised Suntory Pubs; 30,000 of them now dot Japan. He also opened a computerized distillery in 1973 near Mount Fuji. With only 75 employees, it turns out 11.8 million gallons a year, or 60% of Suntory's malt whisky production...

Author: /time Magazine | Title: Business: The Saga off Rising Suntory | 4/2/1979 | See Source »

REMEMBER THOSE fabulous '50s?" Chubby Checkers keeps asking on late night T.V. "Remember the music? The drive-ins? Your first prom?" The King of the Twist takes a long look around the mocked-up malt shop and gives a wistful smile, "Well, now you can relive those fabulous...

Author: By Tom Hines, | Title: Distorted Hindsight | 1/4/1979 | See Source »

...buddies and his sweet side for Sandy. The best scene of the movie (when you might be able to believe Travolta can act) comes as Danny tries to apologize to Sandy for the idiotic way in which he has been behaving towards her. They are in the local malt shop, of course, where all the kids hang out. Sandy has temporarily left her football-player date, who has all his brains in his biceps according to Travolta, to feed the juke box. Her real intent, of course, is to lure Danny, who is sitting with his slippery friends at another...

Author: By Laurie Hays, | Title: The '50s Were Never Like This | 7/7/1978 | See Source »

Newton-John aside, it is the special effects which do the most damage to an otherwise reasonable show. On the stage, nobody can get away with canned fant asies like the one Frenchy (Didi Conn) has in the malt shop after she has managed to tint her hair pink in beauty school. Having left Rydell High to learn how to shampoo and rinse, Frenchy is having one of those adolescent crises as to whether or not she has made the right decision by leaving school. Needless to say, her problem is hardly assuaged by a host of women with silver...

Author: By Laurie Hays, | Title: The '50s Were Never Like This | 7/7/1978 | See Source »

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