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Word: malvolio (lookup in dictionary) (lookup stats)
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...gave the NBC color cameras an enchanting palette of shimmering pastels. Through a dream world as mannered as a minuet glided fauns, harlequins and unicorns, dwarf attendants and monkey footmen. Olivia (Frances Hyland) wooed the disguised Viola (radiantly played by Rosemary Harris) while floating in an elegant barge. When Malvolio (Maurice Evans) puffed with pride over the forged love letter from his mistress, he stepped into a decorated balloon and soared straight...

Author: /time Magazine | Title: Television: Review | 12/30/1957 | See Source »

Next year's three plays are evidently to be chosen from these five: Hamlet, King Lear, Merry Wives of Windsor, Midsummer Night's Dream and Twelfth Night. How about Hyman as Hamlet, Carnovsky as Lear, and Richard Waring as Malvolio...

Author: By Caldwell Titcomb, | Title: Much Ado About Nothing | 8/8/1957 | See Source »

...noble poses, most of the straight scenes are successful. And that is due to a lovely Viola, Katya Luchko, who is also a powerful actress. While serious roles are done in a somewhat over stylized way. The Russian actors are magnificent in the comic scenes. The conspiracy against Malvolio is a pleasure to watch, and his final downfall is a great success, ingeniously accomplished...

Author: By Jonathan Beecher, | Title: Twelfth Night | 5/15/1956 | See Source »

...circle is just as good. Sir Andrew Aguecheek (G. Vipin), Maria (A. Lisyanskaya), the clown (B. Freindlich), and Fabian (S. Filippov) conspire wonderfully with their hands, grunts, and songs as well as their (Russian) words. Though his role loses depth in the director's editing, V. Merkuriev as Malvolio is a fine victim for the happy crew of conspirators...

Author: By Jonathan Beecher, | Title: Twelfth Night | 5/15/1956 | See Source »

...play begins to lag when the slap-stick is over. Randall, who himself plays the part of Malvolio, has turned the obvious solution of mistaken identities and misconceived ideas into minor melodrama at times. This converts Malvolio, actually a man of simple vanity and self-love, into a deep and muddled man. While it leads to great exploration of his character, underscoring of Malvolio's role seems disconcerting because he is actually superficial and should not arouse any real sympathy. Initially Malvolio's frustrations are good fun in the bawdy pattern of the designs against him, but later his quasipathos...

Author: By Gavin R. W. scott, | Title: Twelfth Night | 4/20/1956 | See Source »

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