Word: mama
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Unfortunately for the two Americans, others got wind of the rich discovery. One of them was Beth Mugo, Kenyatta's niece and unofficial lady in waiting to his vivacious wife, Mama Ngina; another was a wealthy Greek resident of Kenya, George Criticos, a friend of the President's and Mama Ngi-na's partner in running the Kenya Trade Development Corp. Saul and Miller charge that Beth Mugo and Criticos encouraged other leading Kenyans, including Mama Ngina, to demand a bigger share of the take. The two Americans agreed to let the Kenyans' share...
Gwynne's Big Daddy is a man of cutting cruelty, but he lacks the roguish animal magnetism of Burl Ives in the 1955 original. Dullea is much too nerveless as Brick; his crutch upstages him. Stalwart Kate Reid rates a special citation for her earthy, grieving, raging Big Mama. But it is Elizabeth Ashley, purring, clawing, fighting for her man, who gives the play a mesmeric, electrifying intensity. ∎ T.E.K...
...mother called him Wolfgang Amadeus Mozart Jr. Why not? He was the second surviving son of a great composer, and it was a name certainly worth preserving. The only problem was that when Mama made the decision, the boy was well along in childhood and already had a name: Franz Xaver. Wolfgang Jr. or just plain Franz? It was a dilemma that plagued the young Mozart most of his life (1791-1844). Having studied with such notables as Hummel and Salieri, he was a talented enough musician to make his piano debut at age 13. Yet Franz was not another...
...Died. "Mama" Cass Elliot, 33, gargantuan, silvery-voiced pop-rock singer; after choking on a ham sandwich; in London. Born Ellen Naomi Cohen in Baltimore, Mama Cass sang with a few unmemorable Greenwich Village folk groups in the early 1960s before contributing her gutsy contralto to the Mamas and the Papas, the quartet that created such euphonious superhits as Monday, Monday and California Dreamin'. When the group broke up in 1968, the Earth Motherly (5 ft. 5 in., as much as 250 Ibs.) Elliot embarked on a successful solo career. More than 300 people, including such luminaries as Carol...
Kate Reid's Big Mama is hyperactive, rowdy, and gross. This is far different from Mildred Dunnock on Broadway, but it is closer to what Williams indicates in the text, where Big Mama is likened to a "Japanese wrestler." Miss Reid has a way of sitting with her legs apart in a most unladylike fashion, and vomits the word "crap" so as to make it seem the vilest word ever invented. Her characterization makes Big Mama and Big Daddy almost two of a kind--which is something of a novelty...