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...Bloody Mama is a lurid little number featuring Shelley Winters doing her smothering-mother thing as the nefarious Ma Barker. You can tell she's the mama because she is older than just about anyone else in the cast...

Author: /time Magazine | Title: Cinema: Bock to the Crypt | 5/11/1970 | See Source »

Presumably she should know better. A hapless and bloody rehash of Bonnie and Clyde, Bloody Mama features Shelley as the head of a small criminal band of psychopathic wastrels, four of whom are, incidentally, her sons. There are heavy-breathing suggestions that the family that preys together plays together. Mama rewards her sons after a hard day of busting heads or robbing banks by letting one of them bunk with her for the night. The fact that everyone gets his just deserts in an insipid shoot-'em-up in the final reel will come as no surprise. Producer-Director...

Author: /time Magazine | Title: Cinema: Bock to the Crypt | 5/11/1970 | See Source »

Scientology is growing. According to the Cambridge Center, the worldwide movement now has over three million members and increases six fold every year. The list of prominent Scientologists includes actor Stephen Boyd, Salvador Dali, Donovan, Mama Cass. Leonard Cohen, blues singer John Hammond, the Incredible String Band, two of the Gateful Dead, science-fiction writer Ray Bradbury, and others. If Scientology is actually the bridge to a world of super-things, there seem to be some exceptional people on that bridge now. You do want to be on the winning side, don't you? It's later than you think...

Author: By (charles F. Allan, | Title: Scientology: The Art of L. Ron Hubbard | 4/21/1970 | See Source »

Minnie's Boys does not present the birth of stars, merely the birth pangs of stars. It is a little like watching a boy finger-painting and then brushing a few crude daubs on a canvas, after which these scenes are assembled in a show called Mama da Vinci's Boy Leon. Few people are likely to want to see the ordeal of apprenticeship onstage, the step-by-step trial of talent, and the stumble-by-stumble inevitability of error. In Minnie's Boys that is pretty much what the audience is condemned to observe. Only once...

Author: /time Magazine | Title: Theater: No Madness in these Marxes | 4/13/1970 | See Source »

...show might have built more impact from a brazen dynamo in the role of Mama Minnie Marx, àla Ethel Merman in Gypsy. As it is, Shelley Winters ambles through the part rather than animating it. She seems preoccupied, as if she smelled something burning in the oven rather than...

Author: /time Magazine | Title: Theater: No Madness in these Marxes | 4/13/1970 | See Source »

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