Word: mama
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Sole Control. As long as Wieland lived, the new Bayreuth flourished. He was the artistic director; Wolfgang stuck to business management. Mama Winifred stayed away. Wieland's new productions were aimed imaginatively toward new, always controversial, often brilliantly successful dramatic ideals. Instead of the heavily literal, violently brassy, pompous stagings admired by Hitler, in which choral scenes often resembled SS rallies in a Black Forest thicket, Wieland created stark, impressionistic stage pictures with a shaft of light here, a barren rock there. To enhance Bayreuth as a cultural force of worldwide significance, Wieland broke with the old chauvinistic policies...
...afterburner three years ago, Baby Jane Holier, 27, is trying "to find reality" through acting, has graduated from $200 underground films to a genuine Hollywood talk-on. She is also enjoying her most stunning success to date-undulating on the floor of off-Off Broadway's Cafe La Mama as the hopefully seductive heroine of a one-acter called The Love Lecture. "You give your all, and they dig it," said Baby Jane. "You can't play a part without facing yourself and communicating." "It's really groovy," agreed her leading man, "all that rolling around onstage...
Born. To Cass Elliott, 23, Brūnnhilde-sized pop rocker with The Mamas and the Papas quartet, and her husband, Singer Jim Hendricks, 26, from whom she is separated: a daughter; in Los Angeles, thus making her the group's first bona fide Mama...
Rude Indignities. Second Lieut. Jonathan Endicott Seabury, a Bostonian idealist and Ivy League mama's boy still wet behind the diploma, is another of Fort Pillow's defenders. He "asked specifically for a colored regiment," dreaming of how he could teach Negro troops "English or history or geography" and monitor the happy spirituals that he fancied they would sing around their fires. He is ill prepared for the reality he encounters: dirty, sly, half-slaves whom he must train to fire fieldpieces without live ammunition. Thus he hides the gradual erosion of his soul by secretly rehearsing...
When the curtain rises, the time is 1900, and Cinderella-here named Georgina-is in "the white folks' kitchen," mopping. Her mama, a five-by-five fortress of a woman (Lillian Hayman), argues that a mop is a Negro girl's best friend. But Georgina (Uggams) begs her prince charming, a Pullman porter named Clem (Robert Hooks), to take her away from all this. Together, they take the overground railway North...